4.48 Psychosis review – a dazzling, harrowing opera worthy of Sarah Kane’s furious writing theguardian.com/music/2026/o…
"La última noche con mi hermano"
Alfredo Sanzol @teatrenacional 👏🏻👏🏻
Detallista i profunda dissecció d ls relacions, silencis, absències
Gran paper d Nuria Mencía
Excel·lens Elisabet Gelabert, Ariadna Llobet, Biel Montoro, Jesús Noguero i Cristóbal Suárez
📷 B Sánchez Palomero
‘The world is falling apart’: Dominic Cooke plans boldly political first season at Almeida theguardian.com/stage/2026/o…
Entrades
Bon dia, si algú vol dues entrades per El pesimismo alegre, Sala Beckett, avui 10/10 o una entrada pel Ballet de Marsella 11/10 Mercat de les Flors (exhaurides), aviseu.
Bon cap de setmana
Jordi F. Anton retweeted
'El cos més bonic que s'haurà trobat mai en aquest lloc'
entre les recomanacions teatrals d'octubre del New York Times. Estrenem el 7 octubre amb Rachel Crowl, direcció Mei Ann Teo, traducció de Sharon Feldmam i producció de la cia. off Broadway Playco.
nytimes.com/2026/10/01/theat…
Who’s Afraid of Virginia Woolf? review – Gillian Anderson fights tooth and nail in marital meltdown theguardian.com/stage/2026/o…
"All of Page’s work was about finding the right style and the right cast for each play or film, never trying to make a name for himself at the expense of the text or script"
Anthony Page obituary theguardian.com/stage/2026/s…
Alcina review – Handel’s opera of sex and sorcery comes alive in vivid staging theguardian.com/music/2026/s…
Segons el cartell horari, Can Fabra hauria d'estar obert, però la biblioteca està tancada sense cap explicació @BibliotequesBCN 2a vegada que em passa
@BibliotequesBCN
Tercer intent sense servei. Almenys un cartell. Anem millorant la comunicació. El servei continua igual a zero.
Jordi F. Anton retweeted
A list of 10 #WomenComposers, for a change:
Isabella Leonarda
Francesca Caccini
Barbara Strozzi
Marianna Martines
Wilhelmine von Bayreuth
Marianna Bottini
Maria Malibran
Pauline Viardot
Clara Wieck
Mel Bonis
... and more. 😃
Present Laughter review – gender-switched Coward comedy dazzles in 70s New York theguardian.com/stage/2026/s…
Electra/Persona review – Blanchett and Hoss face off in lopsided Sophocles/Bergman double bill theguardian.com/stage/2026/s…
Bessie Carter, Rosalie Craig and Gemma Whelan are among the guest performers set to star alongside Tim Crouch in @FMP_Theatre ’s An Oak Tree at @TheOtherPalace in London.
Read more 👇 thestage.co.uk/news/producti…
ICYMI: John Caird, the original co-director of Les Misérables, has claimed that Broadway has been “completely Disneyfied” and it is now prohibitively expensive to stage shows there.
Read more in The Stage 👇 thestage.co.uk/news/john-cai…
Yvonne Rainer, Trio A review: watching this thrilling performance for free feels like an enormous privilege theguardian.com/artanddesign…
Shechter II: In the Brain review – a thrilling release of rave and ritual theguardian.com/stage/2026/j…







