26. He/Him. Commentator, Mecha/Toku Fan, IT guy. 12 Vanguard tops + 2 Gundam tops. Bi. Opinions are my own. Email: [email protected]

Washington, DC
Joined April 2018
#VGTopDecks my BCS Toronto 4th place Megacolony list. This shit is scary #BCS2023 #ShadowCloakGang
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To those who keep correcting me by saying that Tetsuya Chiba was merely the artist behind Ashita no Joe, and that Ikki Kajiwara was its true creator, I'd like to share a few thoughts on the matter. - The reality is that both men are officially recognized as the co-creators of Ashita no Joe. The manga was born from a collaboration between Ikki Kajiwara, who wrote the story under the pen name Asao Takamori, and Tetsuya Chiba, who brought it to life through his artwork. - However, in Japan and throughout the manga industry, there is a deeply rooted perception of Tetsuya Chiba as the true father of Joe Yabuki. And this perception is far from baseless. There are compelling reasons behind it, rooted in the very creation and development of the manga. - Ikki Kajiwara was widely known for writing raw, aggressive, and melodramatic stories filled with blood, sweat, and tears, such as Kyojin no Hoshi (Star of the Giants). In his original vision, Joe Yabuki was portrayed as a violent, unpleasant delinquent with little emotional depth or redeeming qualities. The overall tone of the story was intended to be considerably darker and more cynical. Tetsuya Chiba, however, did far more than simply illustrate Kajiwara's words. He gave Joe his humanity. - Chiba continually reshaped elements of the script because he wanted readers to connect emotionally with the protagonist and with the children growing up in Japan's impoverished neighborhoods. If Joe ultimately became a tragic hero and a symbol of Japan's postwar working class, much of that transformation can be attributed to the emotional sensitivity and humanity that Chiba brought to the character. - Some of the most legendary moments in Ashita no Joe were also born from Chiba's improvisation, creative decisions, or insistence on taking the story in a particular direction. Take Tōru Rikiishi, for example. Joe's legendary rival was originally intended to be a relatively minor character, roughly the same size and weight as Joe himself. However, Chiba accidentally drew Rikiishi considerably taller and more physically imposing. - To make this visual difference work within the story, Kajiwara had to develop the brutal and now-iconic extreme weight-cutting storyline, which ultimately became one of the most unforgettable arcs in manga history. - Then there is the ending. The famous final image of Joe sitting in the corner of the boxing ring, completely white, was a visual interpretation conceived by Chiba himself. It brought the story to a poetic and deeply symbolic conclusion, moving beyond the purely tragic tone that Kajiwara often favored in his storytelling. - Another important detail is that Ikki Kajiwara originally published the story under the pseudonym Asao Takamori, which somewhat diminished the direct association between his real name and this particular manga. - Over the years, Kajiwara also became involved in personal scandals and legal troubles, eventually passing away at a relatively young age in 1987. Tetsuya Chiba, on the other hand, remained active for decades as one of the most respected, admired, and beloved figures in the manga industry. Sadly, he passed away in October 2026 at the age of 87. - Having served as the most recognizable public face of Ashita no Joe for more than half a century, Chiba became so closely associated with the work that, in Japan's collective cultural memory, the manga and his name became almost inseparable. - And that brings me to my final point. Recognizing Tetsuya Chiba's enormous contribution does not mean denying Ikki Kajiwara's authorship or diminishing his importance. Both men were essential to the creation of this masterpiece, and neither contribution should be overlooked. - But their roles went far beyond the simple distinction between writer and illustrator. - Kajiwara laid the structural foundations and established the boxing premise, but Tetsuya Chiba gave Ashita no Joe its soul, its heart, and the visual identity that transformed it from a boxing manga into the cultural legend it remains today. #TetsuyaChiba #AshitaNoJoe #JoeYabuki #TomorrowJoe #LegendaryMangaka #MangaMasterpiece #AnimeShindeiru #あしたのジョー
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R.I.P.
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ちばてつや先生がこの世を去った。つまり梶原一騎先生と合わせて、この偉大な作品の著者が2人ともこの世を去ったのだ。制作時の裏話はもう著者に聞くことができない。本当に伝説として完成してしまったんだな😢
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Ashita no Joe is legitimately my favorite work of fiction. Genuinely heartbreaking to see the man behind it pass away. Rest in peace
【訃報】「あしたのジョー」漫画家のちばてつやさん死去 87歳 news.livedoor.com/article/de… 「あしたのジョー」「おれは鉄兵」などのヒット作で知られ、文化勲章を受章した漫画家、ちばてつやさんが死去したことがわかった。
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Ikki Kajiwara has already been gone for decades at this point so now none of the original 2 creators are left…
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Got to meet the GOAT
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有名な挿入歌(NG主題歌) カイザーVer.
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Not the mana weaving convo lmaooo There's two worlds. Either separating the cards does nothing because you're properly randomizing your deck afterwards, in which case it's a complete waste of time OR it DOES have an effect in which case it's CHEATING because you're STACKING YOUR DECK and not properly randomizing Every card game really is doomed to drive through the exact same well worn paths of the games and communities that came before
Share them then but you would also have to share until the decks are presented. I also do this on my main deck to seperate say for example 2 Karthus which are together then shuffle after
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On the 25th of September 2001, the 7-episode OVA, Mazinkaiser was released. It is a retelling of the original Mazinger Z manga with Great Mazinger & Mazinkaiser (which first appeared in SRW F Final in 1998) included. It debuted in SRW GC in 2004. Happy 25th Anniversary 🎉
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Presented by YOKO TARO ft. YOKO TAKAHASHI
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Kamen rider Kuuga (2000)
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Walk
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#マジンバルキリー #マクロス #マジンガー ちょっとのんびり暇な土曜日だったのでもう一枚落描き。 久しぶりにマジンバルキリー。 午前中はモネ風でマジンガー描いたので同じじゃつまらんので今度はレンブラント風に描いてみた。
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#ちいかわ 쿠리만쥬 랏코
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Judging #BSF2026 Toronto was really fun! I definitely like Toronto as a city that’s for sure. Idk how much vanguard I’ll be playing overall but it was good seeing friends again
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Loser pays the wedding.
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#お前らの好きなトドメシーンを晒せ 何も考えずに直感的にダイナミック(プロ) これ面白いタグだね
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