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One of the top tier responses will be Morayo. Note: This is not an argument this is heavens truth. As the curtains were slowly closing to the year 2024 the atmosphere with afrobeats music was parted like the Red Sea. It was dark and almost boring but bubbling underneath with potential as there were whispers of what to expect. The king of Afrobeats had been in mourning and all any one could do was send their condolence, no one could ease his pain, he lost his mother who was really mum to all that loved the king. You knew he loved his mum because he had a whole song “Mummy mi” dedicated to her in his rise to superstardom. At the time he had to cancel shows and be with himself. All the animals in the kingdom showed their respect, the Frog, the Gorilla, snakes, Hyenas, the Machine and all that had access, some say the baby bat also showed his respect. All the king really knew was create glorious tunes that brought life to all who heard, and he poured his pain through the mic, beside him was the ever chill Mage known as P2J crafting a mood only the both of them could perfect. Inviting unexpected collabs from foreign lands like Brent Faiyaz, Tiakola, Jazmine Sullivan, Anais Cardot and a prince in his own right Asake. He not only summarized the feeling of pain without glossing on it for long, he also chose what celebration of life should be. And this masterpiece was MORAYO, a title that was begotten from his late mum’s name, now becomes immortalized in ways that history cannot fade away. The album excels without skipping a beat with 16 chapters of different emotions of an ever evolving mind. He asserted his dominance, pleasure, joys, distractions, even reminiscing his growth and consistently giving thanks to The most high. THIS ALBUM SHOULD NOT SHARE A MUSEUM WITH ANY OTHER ITS A CLASS OF ITS OWN. Its quality always shines through not only its content but also its album cover which was a portrait of his mother.