#PolRexit "Generacja 0". Prawa człowieka od źródeł do Spełnienia. Zapraszam na początek - Oda do Radości - https://nitter.gq/t.co/wXVRiNbwQZ
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Joined November 2024
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Prawa "Generacji Zera" , żeby nie było, że ktoś nie wie. Ponieważ mamy prawa człowieka od 75 lat. Trzy generacje: wolności, prawa społeczne, prawa środowiskowe. I mamy coraz więcej chaosu w tym prawnego, depresji i agresji, rozpadu tożsamości, wojen i kryzysu środowiskowego. "Generacja 0" zadaje pytanie - może problem nie leży w nadbudowie, tylko w fundamencie. linkedin.com/in/jerzy-warszy…
ALT Generacja Zera - wolność - perlypustki.pl
2. S. 1. 🇵🇱 ☉Two Falcon First retweeted
If you’re looking for a moment of peace, elegance, and quiet reflection, take a few minutes to listen to Bach’s “Air” from Orchestral Suite No. 3 in D major, BWV 1068, performed on historical Baroque instruments and instruments modeled after those of Bach’s time.
Take a breath, quiet your mind, and let the music speak. 🎻✨
2. S. 1. 🇵🇱 ☉Two Falcon First retweeted
She's absolutely brilliant, with great technique and enormous virtuosity🔥🔥🔥
2. S. 1. 🇵🇱 ☉Two Falcon First retweeted
Frieze of the Small Horses
Lascaux Cave, France
Upper Paleolithic
2. S. 1. 🇵🇱 ☉Two Falcon First retweeted
Composed by Johann Pachelbel around 1680–1706, Canon in D Major is a masterpiece of the Baroque era. Legend has it that it was written for the wedding of Johann Christoph Bach, J. S. Bach’s elder brother, though this remains unconfirmed. After centuries of obscurity, the work became widely popular in the 20th century.
Here, Voices of Music performs it on historical Baroque instruments. 🎼
2. S. 1. 🇵🇱 ☉Two Falcon First retweeted
We were deeply honoured our Head Nuns, representatives of Druk Amitabha Mountain Office, the Zimchung, and the community Sangha had precious opportunity to pay heartfelt respects and homage to Pel Gyalwa Dokhampa Shedrub Nima from Tashi Jong and Kyabje Drubwang Tsognyi Rinpoche.
2. S. 1. 🇵🇱 ☉Two Falcon First retweeted
Two figures at Bhimbetka are holding something that doesn't behave like prey. 🪨
It's symmetrical. Upright. Contained. Less like a carcass, more like a **vessel**.
So this isn't weight being carried. It's something being **presented**. Possibly **ritual, not survival**.
Then comes the axe-man on the left. Same frame, different intent.
Is he part of the act, or from another era layered onto the same rock?
If he belongs, the scene isn't only about hunting. It's **two worlds sharing one wall**: tool and symbol.
We keep forcing prehistoric art into daily life.
What if we're reading **ideas** as if they were **events**?
2. S. 1. 🇵🇱 ☉Two Falcon First retweeted
Dünyanın en eski insan heykellerinden biri olan Urfa Adamı’na, Göbeklitepe ve Karahantepe’de bulunan heykellere dikkat ettiniz mi? 🗿
Arkeologlar buna “ritüel sessizliği” veya “ölümün mührü” diyor. Ancak sosyolojik ve kozmik okumayla asıl mesaj çok daha derin:
12.000 yıl önce atalarımız, evrenin ve varoluşun en büyük gerçeklerinin kelimelere hapsedilemeyecek kadar kutsal olduğunu biliyordu.
Gözler obsidiyenle evrene dikilmiş; çünkü kutsal bilgi izlenir ve hissedilir.
Ağızlar yok ya da mühürlü; çünkü o bilgi konuşulmaz, aktarılmaz.
Bu sessizlik, bireysel egonun susturulması değil; kozmik düzenin ve kolektif hafızanın yüceltilmesidir.
2. S. 1. 🇵🇱 ☉Two Falcon First retweeted
18-year-old Japanese classical guitarist Haruna Miyagawa performs Niccolò Paganini’s Caprice No. 24, a violin masterpiece transcribed for guitar. Through its challenging variations and intricate arpeggios, she delivers a performance that demands exceptional technique and precision.
2. S. 1. 🇵🇱 ☉Two Falcon First retweeted
He is unparalleled in his ability to reach the deepest emotions.
Piękna bogini, potomkini Tefnut. Boskie Niebo.
What if the coffin closed around a sky?
Nut could spread her wings across a coffin or stretch her body along the inside of its lid, directly above the person resting there. These images gave the burial a cosmic setting: the sky goddess herself enclosed and protected the deceased. Egyptians hoped to rise again through Nut, just as the sun returned from her body. Calling a coffin a mother made that hope intimate. The journey beyond death began inside a divine shelter, where a body could be cared for while another kind of life became possible. Even the space around the dead had a part to play.
The coffin became a sky close enough to touch. Do you think an ancient Egyptian imagined Nut looking down from the heavens and from the painted lid at the same time?
Art: Nut on Peftjaoeneith’s coffin, c. 650 BCE, Rijksmuseum van Oudheden. Photo: Rob Koopman / Wikimedia Commons, CC BY-SA 2.0; cropped. creativecommons.org/licenses…
#EgyptianMythology #Nut #AncientEgypt
Boska twórczość Generacji 0.
Could a goddess need days that did not exist?
In a story preserved by Plutarch, writing in Greek in the Roman period, the sky goddess is forbidden to give birth during any month or year. He calls her Rhea; in Egyptian terms, she is Nut, and her helper Hermes is Thoth. Thoth plays a board game with the Moon and wins portions of its light. From those winnings he makes five extra days, added to the original 360. Those days become the birthdays of Osiris, the elder Horus, Seth, Isis and Nephthys. The story imagines time itself opening a space for the next generation of gods.
Five extra days made room for a divine family. Do you think time won from moonlight would have felt different from ordinary days?
Image: baboon-headed Thoth, original painted relief in Ramesses II’s temple at Abydos, 19th Dynasty. Photo: Panegyrics of Granovetter / Wikimedia Commons, CC BY-SA 2.0; square crop. creativecommons.org/licenses…
#Thoth #EgyptianMythology #AncientEgypt
2. S. 1. 🇵🇱 ☉Two Falcon First retweeted
India’s border warning is a reminder of what Tibet’s occupation cost the entire Himalayan region.
On October 22, ITBP Director General Shatrujeet Kapur confirmed that face offs with Chinese troops continue at multiple locations in Arunachal Pradesh. The standoffs reportedly began in July, with Chinese troops later pitching tents 6–7 km inside India’s perception of the Line of Actual Control. India has reinforced the area, while calls grow for stronger border defences.
Despite months of military talks, diplomatic engagement and summits, the confrontation continues. As Kapur warned, China remains India’s “biggest adversary.”
The historical reality cannot be ignored: Tibet was an independent country before the People’s Republic of China’s occupation in the 1950s. Tibet’s strategic position made it a crucial buffer between China and the Indian subcontinent. Its loss transformed the Himalayan frontier and brought Chinese military power directly to India’s borders.
Had Tibet remained independent, India would not face the same strategic reality of a Chinese military presence across the Tibetan plateau. Tibet’s freedom is not only a question of justice for Tibetans. It is also deeply connected to India’s long term security and peace in the Himalayas.
#Tibet #FreeTibet #ArunachalPradesh #IndiaChinaBorder #TibetanIndependence #CCP #NationalSecurity #Himalayas #BorderSecurity #Geopolitics #StandWithTibet
Boski "jackal".
Could a voice be given back after death?
The jackal-headed figure behind Hunefer’s mummy brings Anubis into the funeral scene. The British Museum identifies him as a priest impersonating the god, while other priests perform the Opening of the Mouth. This ceremony aimed to restore the deceased’s senses: breathing, speaking, eating, drinking, seeing and hearing. A ritual implement touched the mouth of the mummy or a statue, making renewed life possible in the religious world of the tomb. Preserving a body was only part of the hope. The person also needed the powers that let them take part in life again.
Another life could begin with a voice. What if the first words beyond death were words someone living had waited years to hear?
Image: Opening of the Mouth, painted papyrus of Hunefer, c. 1275 BCE, British Museum EA9901,5. Reproduction: Wikimedia Commons, public domain; square crop.
#Anubis #EgyptianMythology #AncientEgypt
Atum-Re-Horachte do pierwszego mikrofonu świata poznania.😂
What if humanity began as a tear?
In some ancient Egyptian accounts, people came from the tears of the sun god. The idea carried a connection in the language itself: the words for “people” and “to weep” echoed one another. Egypt had several creation traditions, so this was one way of explaining our place in the world. Ra is often shown with the sun blazing above him, as in this painted image of Ra-Horakhty-Atum. Yet this tradition gives human beginnings an unexpectedly intimate scale: a creator’s tears, becoming people. It places a divine emotion at the very beginning of human existence.
Humanity begins here with divine feeling. What if Ra recognised every human face as something that had once fallen from his own eye?
Image: Ra-Horakhty-Atum, tomb of Roy (TT255), 19th Dynasty. Photo: Bruce Allardice / Wikimedia Commons, CC BY-SA 4.0; square crop. creativecommons.org/licenses…
#Ra #EgyptianMythology #AncientEgypt
