Video snapshot of the conference this January! youtu.be/Gfg352F2vhE @C3UMusic @CPBRA_CCCU @cccu_mpa @royalmusical @2016Bfe
Keep an eye on your emails, feedback survey went out today! Very short, but we'd love it if you filled it in! #rsc2017
BFE/RMA RSC 2017 retweeted
Rejuvenating and inspiring three days of #rsc2017! Well done to all presenters and performers.
BFE/RMA RSC 2017 retweeted
Really aware of the 🎷 in David Bowie's Blackstar after catching. @AdrianneHonnold's fantastic paper at @rsc2017 yesterday! – at Hersden, England
BFE/RMA RSC 2017 retweeted
Heading home after a wonderful three days at #rsc2017- thanks to everyone who was involved for making it such an enjoyable conference!
BFE/RMA RSC 2017 retweeted
Crossing Over as a 5.1 surround installation last night #migration #refugees #composer #soundart… instagram.com/p/BO-C8opjcHC/ – at Canterbury, England
BFE/RMA RSC 2017 retweeted
Final keynote #rsc2017 'Performance, performativity, and music/dance' by Anna Morcom
What is the agency/meaning/power and limitations that music and dance have due to being performed? #rsc2017
BFE/RMA RSC 2017 retweeted
PhD student @JoeInkpen is currently presenting his work on polytemporal composition #rsc2017
Inkpen's practice-based research involves composing in a recombinant teleological style #rsc2017
Our last paper in this session,Joe Inkpen talks us through his own experiences with polytemporal composition #rsc2017
Fabulously relaxed last paper in Augustine Hall, Jelma van Amersfoort treats us to some lute music #rsc2017
Honnold uses interdisciplinarity to explore the cultural significance and relevance of the saxophone #rsc2017
Absolutely fascinating paper by Ian Bascombe exploring Daevid Allen from Gong and the idea of prophesy #rsc2017
Waistcoats a-go-go!! Cantaur treat us to some lunchtime catches and glees! #rsc2017









