Sam Ashurst (@samashurst) header
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Writer/director A LITTLE MORE FLESH (Art Label) Writer HANNA AND THE HELLS VS THE BEATLES (Floating World Comics)

Joined January 2009
The man who produced Johnny Cash, Red Hot Chili Peppers, and Adele explains why Hollywood keeps making soulless movies: "The audience comes last. I'm not making it for them, I'm making it for me." "When you make something truly for yourself, you're doing the best thing you possibly can for the audience." "So many big movies are just not good because they're being made by people trying to make something they think someone else is going to like. That's not how art works. That's commerce." "Everything we make as artists are essentially diary entries."
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"Put the crosshairs on Charlize's nose."
Steven Soderbergh on George Miller's "Mad Max: Fury Road" (2015): "Interviewer: You never storyboard? Soderbergh: No. The ability to stage well is a skill and a talent that I value above almost everything else. And I say that because there are people who do it better than I’ll ever be able to do it after 40 years of active study. I just watched 'Mad Max: Fury Road' (2015) again last week, and I tell you I couldn’t direct 30 seconds of that. I’d put a gun in my mouth. I don’t understand how [George Miller] does that, I really don’t, and it’s my job to understand it. I don’t understand two things: I don’t understand how they’re not still shooting that film and I don’t understand how hundreds of people aren’t dead. I could almost see that’s kind of possible until the polecat sequence, and then I give up. We are talking about the ability in three dimensions to break a sequence into a series of shots in which no matter how fast you’re cutting, you know where you are geographically. And each one is a real shot where a lot of things had to go right. I’m going to keep trying; I’m not going to keep trying in the sense that I’m going to volunteer to direct the next Mad Max movie. I’m going to keep trying in the sense that when I have sequences that demand a certain level of sophistication in terms of their visual staging, I’m going to try and watch the people who do it really well and see if I can climb inside their heads enough to think like that. But he’s off the chart. I guarantee that the handful of people who are even in range of that, when they saw Fury Road, had blood squirting out of their eyes. The thing with George Miller, it’s not just that, he does everything really well. The scripts are great, the performances are great, the ideas are great. He’s exceptional. I met him once for about 30 seconds at the Directors Guild Awards in Los Angeles the year of Fury Road. But you don’t want to say that stuff to somebody’s face; it’s embarrassing." (Steven Soderbergh's interview with Gavin J. Blair, The Hollywood Reporter, 2017) P.S: On this day, 11 years ago, "Mad Max: Fury Road" (2015) premiered in Hollywood, California.
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First teaser for a 5-part Martin Scorsese documentary titled ‘MR SCORSESE’ Includes interviews with Scorsese himself, his family, Steven Spielberg, Robert De Niro, Leonardo DiCaprio, Thelma Schoonmaker and more. Releasing October 17 on Apple TV+
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Post-production completed on SNAKE INFESTATION, written by @samashurst and directed by me, filmed on location in Georgia USA, coming later this year! 🐍
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Sam Ashurst retweeted
Brad Pitt tells a story about Adam Sandler who once had an acting professor that told him he should have quit acting. Sandler, in his prime time, encountered him again and responded in the most incredibly gracious way. nitter.gq/VideoChannel134/status…
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I’m delighted to announce that development is officially greenlit for the British #Horror Studio's latest horror film, to be produced by the spectacular B-Team, with Rachael Brewster serving as producer and my venerable friend @samashurst as writer. 🙂 patreon.com/posts/chosen-spo…
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Sam Ashurst retweeted
The arc of Orson Welles' life is so insane Cause alien invasion hysteria at 23 Direct greatest movie of all time at 25 Suffer decades of setbacks at the hands of moneymen who do not understand art Run around Europe drunk as hell in a cape Become a close friend of Kermit the Frog
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Images that make me go "That's Batman."
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First teaser for ‘THE TOXIC AVENGER’ reboot, starring Peter Dinklage as Toxie. In theaters on August 29.
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Presented on stunning 4K alongside a host of archival and newly commissioned bonus features - From Brian De Palma comes the unforgettable masterclass in suspense and psychological terror! DRESSED TO KILL has arrived on Limited Edition 🇬🇧 4K UHD
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Martin Scorsese: confirmed Nosferatu enjoyer. via @tcm and @92ndStreetY
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Sam Ashurst retweeted
TIMESTALKER is out in cinemas on 11th Oct. you can read one of my favourite reviews, from one of my favourite publications @LWLies, here. this on my gravestone please along with she was like a candle in the wind, unreliable lwlies.com/festivals/timesta…
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Sam Ashurst retweeted
Just a dream come true to be featured within these legendary covers. Production diary for TIMESTALKER with some exclusive behind the scenes shots. Thanks @empiremagazine for supporting filmmakers and Brit cinema 🤎🩷💜❤️🐦🪓☸️🌭
Ready to be entertained? #GladiatorII storms the cover of Empire’s world-exclusive new issue – talking to Ridley Scott, Paul Mescal, Denzel Washington and more about their Colosseum comeback. On sale Thursday 29 August. READ MORE: empireonline.com/movies/news…
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Waiting to hear a release date for my new horror film LORD OF WOLVES 🐺
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In honour of Sir Alfred Hitchcock's 125th birthday, here is a short thread of, Filmmakers praising Alfred Hitchcock- A Thread: 🧵 (1/17)
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Sam Ashurst retweeted
Early tests for our animatronic Xeno, created by the amazing team at LegacyEffects. #AlienRomulus
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love this bit of m night talking through finding the Process again on the visit
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THE SHINING - 35mm scan Most of the 35mm scans like Blade Runner or Terminator 2 or The Keep are great of course, but I don't particularly think they're that much of a diff/better experience from the digital versions we have. But this.... this is something else.
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"You can do a movie with a phone. All rules. F**k them. Doesn't exist anymore." ---Béla Tarr's, advice to young filmmakers.
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