Professor of Music & Associate Dean HDR @ANUcass 🪑 @IASPM_OFFICIAL 🎸🎙️ 🎛️ 📚 📖 @333books Londoner. Canberran. Working class. She/her.
Ngunnawal Country
Joined October 2014
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Im archiving this Twitter account. Find me @samanthabennett.bsky.social and linkedin.com/me?trk=p_mwlite…
🎹💚 The Fairlight CMI: History, Technology, Ideology 💚🎹 A one day research symposium hosted by @pmharkins and I @SoM_ANU December 13th 🤩 Registration free, in-person only, limited tix available #FairlightCMI events.humanitix.com/the-fai…
Samantha Bennett retweeted
Meeting Steve Albini and working with him changed the course of my life. He taught me so much about music, and life. Steve was a great friend - wise, kind and generous. I am so grateful.
My thoughts are with him and his family and friends as we suffer his loss.
Samantha Bennett retweeted
"I knew Steve Albini, who has died at just 61, as a kind, patient and accommodating engineer, committed to the truest possible representation of live sound," writes Professor of Music @samkbennett (@ANUmedia).
theconversation.com/technica…
Rest in peace to a titan of independent recording 🎤🎚️🎛️ #SteveAlbini 1962-2024
theconversation.com/technica…
What a privilege to attend the @ahrcpress DTP Conference at @UniofOxford A diverse range of arts & humanities research across 3 days. Thoroughly enjoying this brilliant talk by Alice Cawley on Alan Vega’s ‘Junklight’ sculptures!
Fabulous week in Minneapolis for @IASPM_OFFICIAL #iaspm2023 loved every minute of the conference, and seeing such strength and depth of popular music scholarship! Wonderful to be there for #Pride2023 🌈 …and some last minute grocery shopping at #electricfetus ♥️
So excited for this book! Congratulations @garybromham 👏🏼
Distortion in Music Production: The Soul of Sonics.
Very excited to announce that this book is out today and available from Routledge Publishing (and the other usual suspects!)
routledge.com/Distortion-in-…
Use the code SMA35 for a 20% discount at Routledge until 31st July 2023
Tonight! On @Foxtel 8.30pm - Eighty/Twenty directed by the phenomenal @AdeleChynoweth featuring record producer @markopitz 📺 🎶 🎚️
Yet another shocker #fixthemixreport The solutions are about more than just hiring and supporting women and non binary producers and engineers. Masculine cultures upholding the recording industry need detoxing and dismantling. Men also need to step up and change this from within.
Never! Some great responses in this thread 🧵 😂
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Huge congratulations Adele 👏🏼 🎉 🍸
Thrilled to have signed ✍️ licensing agreement with @Foxtel to screen my doco film 🎬 ‘Eighty Twenty: Mark Opitz Remembers’!
Watch this space for broadcasting date!
📺 🎉🎶🎸✊
@markopitz @ScreenCanberra @artsACT1 @In_The_Taratory @ScreenAustralia @DocumentaryAus
What a show! Waited since 1989 to see one of my all time favourite bands @Soul2SoulUK and childhood hero @JazzieB bringing back so many great musical memories 🎶🔈 A happy face, a thumpin’ bass for a lovin race ✊🏼
Always nice to have a copy of the book! My chapter analysing ‘Cirice’ by @thebandGHOST in #LoriBurns #WilliamMoylan Analyzing Recorded Music available @RoutledgeMusic 👻 ⛪️⚡️ 🌩️
A must read for all Babes in Toyland and grunge fans! Congratulations, Selena, on a fantastic book! 👏🏼 🎉
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How I’d love to read this book! Please write it @Silpayamanant !!!
Yeah, if I ever write this book, this is definitely going to be the cover. Photo of me listening to Morricone's soundtrack to "The Good, the Bad and the Ugly" ca. 1973 in Syracuse, NY.
"Musical Repetition: A Colonial History of the Recording and Music Production Industries"
ALT Mock up book cover titled "Musical Repetition: A Colonial History of the Recording and Music Production Histories." Image of me, Jon Silpayamanant, ca. 1973 in a playpen with ginormous headphones listening to the Morricone's soundtrack to "The Good, the Bad and the Ugly."
“Make full use of your character and full use of your life on earth” The Queen is dead. Long live the Queen! #toofasttolivetooyoungtodie
Samantha Bennett retweeted
The Specials were a celebration of how British culture was envigorated by Caribbean immigration but the onstage demenour of their lead singer was a reminder that they were in the serious business of challenging our perception of who we were in the late 1970s. RIP Terry Hall
