Sandeep Chandur (@schandur) header
Sandeep Chandur (@schandur) profile picture

I have a cleft chin. "Silly curmudgeon". More? https://nitter.gq/t.co/7jzM4oVhTO 🏳️‍🌈🚌🐶

New York, NY, USA
Joined May 2007
Photo by Sandeep Chandur (@schandur)Photo by Sandeep Chandur (@schandur)Photo by Sandeep Chandur (@schandur)Photo by Sandeep Chandur (@schandur)Photo by Sandeep Chandur (@schandur)Photo by Sandeep Chandur (@schandur)Photo by Sandeep Chandur (@schandur)Photo by Sandeep Chandur (@schandur)Photo by Sandeep Chandur (@schandur)Photo by Sandeep Chandur (@schandur)
Ever wonder what all Facebook has gleaned about you from your posts, likes and other activities? Check it out here: facebook.com/ads/preferences…
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Huh, never looked into the etymology of Hansa properly and believed it to be a swan. It’s a crane!
The Lufthansa logo began life as the symbol of airline Deutsche Luft-Reederei, which was established in 1917 and began operations two years later in 1919. In the intervening year of 1918, between its establishment and the beginning of commercial flights Professor Otto Firle designed the stylised and iconic crane in flight symbol. Light and aerodynamic, the symbol delivered an efficient and elegant visual gesture, either alone, or sitting over the outline of sun or globe, bronze on blue. In 1926 the German government forced the airline to merge with Junkers Luftverkehr, forming Deutsche Luft Hansa (Deutsche Lufthansa from 1933), which was the flag carrier of the Weimar Republic. This new airline took with it the crane. At the end of WWII, following the defeat of Nazi Germany; all services of Deutsche Lufthansa were terminated. In 1953, in an effort to create a new national airline, and while West Germany had not yet been granted sovereignty over its airspace, Luftag was founded and started ordering new planes. It also acquired the name and logo of the liquidated Deutsche Lufthansa. On 1 April 1955 Lufthansa won approval to start scheduled domestic flights. Between 1923 and the 1960s, the symbol would vary slightly in its drawing depending on its application, and was paired with different typefaces and different blue. Otl Aicher It wasn’t until 1963, during a period of expansion and modernisation, which introduced the jet engine to the Lufthansa fleet, that the logo was formalised and a new visual developed under the direction of German designer Otl Aicher. Before settling on an update, various degrees of abstraction, between a crane and an arrow were explored. In the final design, small details such as a slightly heavier line weight, square terminals, and improved negative space rationalised the logo, increasing its flexibility across a growing number and diversity of applications. In the spirt of the time, and under the influence of modernism and the Swiss International Style, Helvetica was used to construct the Lufthansa wordmark and became part of the design policy. Although the yellow and blue pre-dated Otl Aicher’s system, a warmer yellow was introduced as a way to feel more welcoming as more people began flying. Martin et Karczinski In 2018, the “Lufthansa Blue” project saw the airline’s yellow and blue tailfins replaced with just a deep blue for a more premium feel with yellow being used only as small accents elsewhere. Helvetica was dropped for the digital era and replaced with a custom typeface. Even after historical upheavals, the crane remains in, with only slight updates by Martin et Karczinski.
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We have an update.
Last night IFF, @SFLCin and @geoblockedindia received a legal notice said to be issued purportedly on behalf of the RSS. It’s hard to believe this comes from an organisation that has had a century to practise its paperwork and hence this may even be a weird prank! This notice asks us to stop criticising the Government’s blocking orders and stop documenting them. It also wants us to confirm in writing within seven days (seriously). We can tell it’s an excellent teaching aid and here are seven lessons from it. 1) Say who you are: The notice names no advocate and gives no enrollment number. It is signed by an “Authorised Signatory” with no name. Replies go to a free Proton Mail ID, and the “office” is a residential flat in outer Delhi. A notice that can’t tell you who sent it is less a legal document than a weather event. 2) Have a grievance of your own: It never says how its client is harmed when we criticise a MeitY advisory. It complains on behalf of the Government’s blocking orders. The Union has no shortage of lawyers, and it hasn’t asked for volunteers. 3) Name the law: It threatens “appropriate legal action” under “the applicable provisions of law” and doesn’t cite a single section of any statute. A threat with no law, is literally an empty threat. 4) Don’t ask people to give up a fundamental right within seven days: The first demand is that we stop “publicly opposing” government directions. In Shreya Singhal (2015), the Supreme Court held that discussion and advocacy of a cause, however unpopular, sit at the heart of Article 19(1)(a). Opposing an order is how its legality gets tested. That is the Constitution working as intended. 5) Check whether the courts asked for the thing you want stopped” In Anuradha Bhasin (2020), the Supreme Court held that orders restricting fundamental rights must be made available so people can challenge them. The Reddit order is on the public Lumen Database because Reddit put it there. Reading a public database and saying what’s in it has a name. It’s called research. 6) Show us the spark and the powder keg: The notice says our work weakens national security measures, but it gives no instance, date or harm. In S. Rangarajan (1989), the Supreme Court held that the danger feared from speech can’t be remote, conjectural or far-fetched. It has to be like a spark in a powder keg. A post about a Lumen filing is not a spark. 7) Read it once more before you press send: The paragraphs run 1, then an empty 2 and 3, then 4. A PIN code wanders into the facts. The account it targets is on “Twitter”. Our reply is short. The notice is legally deficient because it makes no material allegation and cites no illegality. We will respectfully continue to advance constitutional rights, as we have done before. Notices like this rarely expect to win in court. They expect the recipient to get tired. We often are tired, but it has never changed what we do. Solidarity with @SFLCin and @geoblockedindia. If your post or account has been blocked in India, write to [email protected].
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This one of you folks? 😅
It's becoming nightmarish... for the Finns. Happy Halloween from the Embassy of Finland! 🎃
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BREAKING: eMudhra has massively upped their security posture. From "4" as private key to a "4-digit" OTP "decryptable" from the frontend! #DigitalIndia
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Actually Indian strikes again? 👀
So an AI creator is a hooman. No wonder I feel so strange in a world full of noise (and now, show!)
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Whoops
Replying to @migueldeicaza
not if the paper clip maximizer gobbles up all sand for more wafers.
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Keep audience hooked? How many Indians actually read newspapers?
Replying to @kingslyj @meetujain
Also "told them so much more" is part of the problem because there's something happening every month in cronyland and documenting it all makes it impossible to keep the audience hooked.
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Wish @ApacheBaremaps didn’t retire
Where does a company’s internet live? I revived an old project and mapped the geofeeds operators publish for their IP addresses. It’s pretty cool to search a company and see where its IPs are declared, or pick an area to see who has addresses there. Would this be useful for location-based network hardening?
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Oh
Anthropic says that even the entire insurance industry in the aggregate will not have the capacity to insure the catastrophic risk that ANTHROPIC ITSELF poses to the world lol
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#Israel has committed war crimes & crimes against humanity in the Occupied #Palestinian Territory amid continuing #genocide in Gaza, the @UN Commission of Inquiry on Occupied Palestinian Territory & Israel said in a new report to #UNGA81 today. More ➡️ bit.ly/4zR1h0S
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Excellent visual summary of my last report on MEDIA and Genocide ▶️Israel has tried all it could to eliminate professional reporting from/on Gaza: through propaganda, censorship, influencers ▶️Western media has often been Israel's house organ:for habit, convenience or just racism
Our latest highlights key findings from Francesca Albanese’s report, “Truth Under the Rubble: Media in the Time of Genocide”, exposing the systemic silencing of Palestinian journalists & the suppression of truth. Reshare to amplify findings & demand press freedom & accountability
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Sandeep Chandur retweeted
How is the internet less private than in 2006, when the whole family shared one computer? Back then, the internet was weird, personal, and all of ours. So, we got your favorite meme legends back together to say it louder: What happened to the internet? 1/3
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Gotta love journalism’s newest genre: “humanize executive by sharing heartwarming AI origin story.”
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Lady in blue and dude in glasses busy on their phones👀
This is the whole point!!! No proof. This segment gave me hope. 👏there are still journalists in these newsrooms that won’t just allow serious, undocumented allegations to be put out there without moderation.
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Second time that the font settings on my phone breaks C++ into C+ + 🤦‍♂️
today is a really sad day. no C++26 this year :( come on bros let me have reflection PLEASE. compromise idea: C++26.5 where we sneak in just reflection
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Sandeep Chandur retweeted
Now Alphabet/Google is super pissed with these guys.. They even say "Social media scrutiny" are not acceptable explanations. They owe an explanation to *billions* of relying parties its mistake exposed.
... Look at the questions Google's Chrome team just put to the CA behind this mess. They are clearly not happy. Not trying to pile on here but these are genuinely tough questions anyone would want answered. ...
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I have a hypothesis about Indian incompetence. Hear me out. It is about stock and flow of various types of capital. Independent India had neither stock nor flow to begin with. But it kept accumulating those over time. Sure not at the desirable rate, but it sure did. /1
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