Simon Laval retweeted
Le pont de Buda à nouveau opérationnel au mois de juin bx1.be/categories/news/le-po…
🩷 L'hospitalité schaerbeekoise 🩷 – at Schaarbeek, België
Hospitality on display on the streets of #Schaerbeek in Brussels where the gunman was shot down by police. This young local resident treated journalists and police officers to hot mint tea as we were out covering the events following last night attack 🫖🎥 @polreygaerts
La vie continue et #francoisschuiten continue à donner ses interviews sur la sublime Avenue Louis Bertrand de #schaerbeek en bonne compagnie. #artnouveau #1030 – at Schaarbeek, België
Simon Laval retweeted
I have just offered my sincere condolences to @SwedishPM following tonight’s harrowing attack on Swedish citizens in Brussels.
Our thoughts are with the families and friends who lost their loved ones.
As close partners the fight against terrorism is a joint one.
Simon Laval retweeted
⚠️Niveau de menace 4 pour la région de Bruxelles-Capitale. Une vigilance accrue est demandée. Eviter les déplacements inutiles.
A propos de taxi, de transport durable et d’être femme en politique, bizarrement on ne parle pas de ceci en Belgique. politis.fr/articles/2023/09/…
Simon Laval retweeted
The Dutch invest €595 million annually on urban biking, resulting in €19 BILLION saved in public health care costs alone. That’s how smart govts do the math on investing in better mobility.
Let’s be clear — it wastes public money to NOT do it.
#CityMakingMath HT @modacitylife
Simon Laval retweeted
ALERTE ! VELO VOLE.
Kona Swift ( un rove st un peu spécial)
Il avait un siège bébé noire a l arrière. Hyper distinctif avec le porte saccoche avant et porte bagage arrière.
Selle Brooks.
Il n y en a que 250 fabriqué. J en connais que 3 a bxl. Si vous le voyez help!
Simon Laval retweeted
Max Fleischer's trippy version of "Snow White" from 1933 remains a fascinating and bizarre piece of animation history. In this short Betty Boop cartoon, Fleischer and his team condensed and twisted the classic Snow White tale, taking viewers on a surreal journey that defies expectations.
One of the standout moments in the cartoon is the inclusion of Cab Calloway, a renowned jazz singer of the time. In the middle of the animated film, Calloway appears and performs the hauntingly beautiful "St. James Infirmary Blues." The scene is a rare live-action segment, originally from another cartoon of the era titled "Minnie the Moocher," which was another iconic song associated with Calloway.
Interestingly, the footage and music used in the beginning of "Minnie the Moocher" are clearly the same recording as the song "St. James Infirmary Blues" featured in the Betty Boop cartoon. In a clever editing move, the two pieces of audio are seamlessly joined together, creating a seamless transition between the two cartoons.
Calloway's appearance in the cartoon is truly mesmerizing. He begins by singing the tune as Koko the Clown, a character created by Fleischer, and then undergoes a transformation into a ghostly figure. The animation beautifully captures Calloway's distinctive enunciation and signature dance moves, accompanied by a barrage of wild and imaginative visuals.
In addition to the captivating animation, the cartoon also incorporates scenes from the 1980 film "The Blues Brothers," in which Cab Calloway once again performs "Minnie the Moocher." This inclusion adds an extra layer of intertextuality, as viewers are introduced to Calloway through this iconic performance.
"Betty Boop in Snow White" is a testament to Max Fleischer's creativity and willingness to push the boundaries of animation. The cartoon showcases his unique vision and knack for blending different artistic mediums, resulting in a truly trippy and memorable viewing experience.
Directed by Dave Fleischer and animated by Roland C. Crandall, the cartoon exemplifies the Fleischer Studio's distinctive style, characterized by fluid animation, vibrant colors, and a surreal atmosphere. Their innovative techniques and bold storytelling continue to inspire animators and artists to this day.
Despite being a departure from the traditional Snow White narrative, Max Fleischer's version remains a remarkable piece of animation history. It stands as a testament to the power of imagination and creativity in bringing beloved stories to life in new and unexpected ways.
Ouille
The Remco Evenepoel crash from the sidelines. Pretty hard dive into that creek...
#bktijdrijden @nieuwsbladsport @Hugocoorevits
Je retiendrai de @SmetPascal sa croisade sans répit pour redessiner Bruxelles et bien sûr donner plus d’espace aux 🚲 (mais pas que). Merci Pascal ! levif.be/belgique/politique/…
Même si son côté panzer lui aura coûté son siège au gouvernement bruxellois. @PaulineDeglume résume quelques unes de ces fulgurances et réussites dans ce portrait. Pascal Smet, départ d'une figure remuante pour Bruxelles
lecho.be/dossier/portraits/p…
Simon Laval retweeted
Avec la démission de @SmetPascal, la Capitale perd un fonceur. Un visionnaire, parfois. Quelqu'un qui secouait tout sur son passage pour faire bouger les choses. Mais aussi un collectionneur d'excès en tous genres. C'était un peu un pilote de formule 1, sans les freins. #Bruxgov
Simon Laval retweeted
12 juin 1942, Anne Frank, 13 ans, commence à écrire son journal. Elle commence à décrire sa vie quotidienne à Kitty, son amie imaginaire : "La chose merveilleuse, c'est que je peux écrire tout ce que je ressens. Sans cela, j'étoufferais."
l.franceculture.fr/iuk






















