The Sound Studies Lab: field research, critical analysis & sonic artifacts - A research environment at the University of Copenhagen.
Copenhagen, Denmark
Joined April 2009
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A new year, a new book:
After "The Sonic Persona" in 2018 and "Sound Works" in 2019, this third monograph with Bloomsbury Academic completes now in 2020 my somewhat haphazard trilogy on sonic anthropology, sound design and sonic methods:
SONIC FICTION.
bloomsbury.com/uk/sonic-fict…
International Conference on Sonorities Research (CIPS) –
Sounds of the End of the World:
en.sonoridades.net/
Time to vote for a Wikimedia sound logo, dear sound design aficionados:
commons.m.wikimedia.org/wiki…
New Call for Paper:
WHAT SOUNDS DO:
New Directions in an Anthropology of Sound
We accept research papers & audio papers & you can read more about both formats at the link below!
***DEADLINE: FEBRUARY, 10TH, 2023!***
seismograf.org/what-sounds-d…
What social relationships develop through sound, such as in, for example, Pauline Oliveros’ Sonic Meditations and Deep Listening™ practice?
How can sonic sensibilities contribute to new bodies of knowledge (Voegelin 2021)?
We reopen our registration & we have 15 seats left at our conference WHAT SOUNDS DO, 13th to 16th of September in Copenhagen!
rmc.dk/da/wsd
The registration is now open (scroll to the end of the page!):
WHAT SOUNDS DO:
New Directions in an Anthropology of Sound
13.-16. September 2020
rmc.dk/da/begivenhed/what-so…
Tonight, I am in Greifswald & on Zoom, giving a talk within the lecture series "Irreversible: The Manifestations of Change" at the Interdisciplinary Centre for Baltic Sea Region Research:
The Implex:
On Transforming the Seemingly Irreversible in the 21st Century.
More on the implex soon also in this fine volume, edited by Bernd Herzogenrath (chapter 13):
bloomsbury.com/us/concepts-9…
* * * S A V E * T H E * D A T E * * *
WHAT SOUNDS DO
New Directions in an
Anthropology of Sound
September 13-16, 2022
Rhythmic Music Conservatory Copenhagen
rmc.dk/da/begivenhed/what-so…
* * * F U L L * P R O G R A M M E * S O O N * * *
Today is the day in Berlin:
facebook.com/events/s/sound-…
Join us, listen, chat, drink & think with us to & about sound art - with
@SanneKroghGroth @MaconHolt
@ElkeMoltrecht @JeremyWoodruff2 & many more!
bloomsbury.com/us/bloomsbury…
We start at 7pm at Errant Sound, doors: 18:30. 🥂🎉
This Thursday, 9.6., 7pm at #errantsound:
What is Sound Art in the 21st Century?
errantsound.net/2022/06/the-…
Join us!
What is the „Artists-in-Berlin Program“ @DAAD_Artists of the DAAD? @DAAD_Germany
This little vignette - written for the Danish association SNYK @snykdk - might serve as an introduction and as an invitation to artists, performers, composers:
snyk.dk/swarm-artistic-creat…
What can sound art do in the 21st century?
On June 9th, 7pm (doors: 6:30pm) in Berlin's own Errant Sound in Kreuzberg you will have the chance too meet artists of and contributors to The Bloomsbury Handbook of Sound Art:
fb.me/e/2xTXcgAam
If you do not know these works by @Douglas_Kahn he produced between 1975–1993 - here comes now the chance to encounter them in the best way possible.
douglaskahn.bandcamp.com/alb…
GRIEF:
A Call for Paper - conceived by @SanneKroghGroth & Meri Kytö @acmesocs for @seismograf.
Deadline: October 15, 2022!
How is grief expressed & experienced sonically - today and in history, what are its aesthetics and ethics?
seismograf.org/grief.pdf