An independent publication that still believes in long-form music and film journalism.
Portland, OR
Joined March 2018
- Tweets10.2K
- Following1.4K
- Followers1.8K
- Likes9.8K
Pinned Tweet
Split Tooth October Horror 2026 has arrived!
We kick off the festivities with an interview with German horror legend Jörg Buttgereit by Cable Wells. Find this discussion about the making of his notorious Nekromantik films and follow the series here: splittoothmedia.com/october-…
In 'Trick or Treat' (1986), a bullied teen discovers backward messages in his late hero’s final hair metal record, but the demonic instructions to fight back go very wrong. @CraigSplitTooth dives into Charles Martin Smith's rock 'n' roll nightmare! splittoothmedia.com/trick-or…
Split Tooth Media retweeted
Toshio Matsumoto’s ‘Ātman’ (1975) untethers our connections to any sense of reality and animates the spiritual realm that its central demonic figure inhabits. Read @CraigSplitTooth's appreciation of the film from October Horror 2024! splittoothmedia.com/atman/
Split Tooth Media retweeted
The Adams Family have spent the past 15 years honing their unique brand of emotional and tonally eclectic genre productions. Brooks Wieszczek spoke with John Adams about his family of scrappy DIY filmmakers and their approach to making horror films. splittoothmedia.com/adams-fa…
Split Tooth Media retweeted
Grab a copy of The Ohio Project Vol. 1 here: experimentalkindergarten.big…
In Chris LaMartina’s 'WNUF Halloween Special' (2013), local TV personality Frank Stewart leads a Baltimore news station’s Halloween special into uncharted territory. Read the latest from @orosullivan for October Horror 2026! splittoothmedia.com/wnuf-hal…
Split Tooth Media retweeted
The kind folks at Split Tooth gave me space to investigate the gentler side of Roger Watkins, director of Last House on Dead End Street, a handful of despairing hardcore features, and a documentary about himself at the end(s) of his career. Check it!
Today for October Horror, @memoryendowment looks back on ‘Last House on Dead End Street’ filmmaker Roger Watkins’ later career, a period in which he crafted some of the saddest and spookiest high-art adult films to ever grace grindhouse screens. splittoothmedia.com/roger-wa…
‘Shadows of the Mind’ is a deeply compromised film, but it offers a glimpse into what ‘Last House on Dead End Street’ director Roger Watkins could’ve done had he continued in the horror genre. splittoothmedia.com/watkins-…
Split Tooth Media retweeted
Just some of the incredible images you can read about in this zine!
3 years in the making, I’m proud to announce Part I of my ongoing Ohio Horror Project zine series: Cutting Edge Video. Explore the history of Sandusky’s Blade Independent Studio and their forgotten legacy of 17 SOV titles released 1989-1991.
experimentalkindergarten.big…
Split Tooth Media retweeted
Absolutely incredible work from @memoryendowment up now on Roger Watkins’ later adult film works and much more. One of the best pieces I’ve read on Watkins’ complicated legacy
Today for October Horror, @memoryendowment looks back on ‘Last House on Dead End Street’ filmmaker Roger Watkins’ later career, a period in which he crafted some of the saddest and spookiest high-art adult films to ever grace grindhouse screens. splittoothmedia.com/roger-wa…
Split Tooth Media retweeted
A big one available today for @splittoothmedia October Horror! @memoryendowment wrote a fantastic piece on the later years of Roger Watkins. An incredibly insightful look at his life and work after 'Last House on Dead End Street.' Don't miss it!
Today for October Horror, @memoryendowment looks back on ‘Last House on Dead End Street’ filmmaker Roger Watkins’ later career, a period in which he crafted some of the saddest and spookiest high-art adult films to ever grace grindhouse screens. splittoothmedia.com/roger-wa…
Split Tooth Media retweeted
And if you're looking for more Watkins writing, check out my @splittoothmedia piece on 'Last House on Dead End Street': splittoothmedia.com/last-hou…
Today for October Horror, @memoryendowment looks back on ‘Last House on Dead End Street’ filmmaker Roger Watkins’ later career, a period in which he crafted some of the saddest and spookiest high-art adult films to ever grace grindhouse screens. splittoothmedia.com/roger-wa…
Produced by an intergenerational drama school in South London, 'Suffer Little Children' (1983) bears out the transcendent possibilities of the imagination of children. splittoothmedia.com/suffer-l…
Split Tooth Media retweeted
Our Charles Pinion series continues! To celebrate the release of Pinion's 'Killbillies' screenplay, @BigVinVader spoke with Pinion about the never-completed film that eventually turned into his 1996 classic 'We Await.' splittoothmedia.com/killbill…
Split Tooth Media retweeted
John Cassavetes could use his disdain for escapist filmmaking to turn in interesting performances in otherwise generic roles. In 'The Fury' and 'The Incubus,' Cassavetes is the scariest part of both films. He’s only the villain in one of them. splittoothmedia.com/john-cas…
Split Tooth Media retweeted
And don’t forget last year’s look at the incredible, moody vampire story A Darker Light (1996).
splittoothmedia.com/a-darker…
Split Tooth Media retweeted
And to tie into the zine, check out my new piece on Blade Independent Studio’s long-running, hopelessly obscure Witchface series. These are the pinnacle of Ohio slasher marginalia, and the perfect seasonal watches.
With the first volume of his Ohio Project zine series available now, @BigVinVader explores Blade Independent Studio’s Witchface films, an ambitious SOV slasher series set in Ohio from 1989 to 1994, for October Horror. splittoothmedia.com/witchfac…
With the first volume of his Ohio Project zine series available now, @BigVinVader explores Blade Independent Studio’s Witchface films, an ambitious SOV slasher series set in Ohio from 1989 to 1994, for October Horror. splittoothmedia.com/witchfac…
Grab a copy of The Ohio Project Vol. 1 here: experimentalkindergarten.big…