Streaming Guy, journalist and 🍅-approved critic at @THRIndia_ . Ex @filmcompanion. Host of The Streaming Show podcast. Trying to be the hero of my own movie

Mumbai
Joined October 2012
Feels good to be back. Season 3 of #TheStreamingShow podcast drops weekly from tomorrow on my channel, featuring a helluva line-up of meaningful, timely conversations about where we are as an industry, with some of the most perceptive minds around youtu.be/JoBRABPnnNk?si=EPyR…
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Was this many days old when I learnt that Brahma AI is apparently an actual thing actually really.
Reports that some critics have cancelled their #Ramayana premiere screenings over the misconception that the film is AI-dubbed are deeply concerning. The film has been dubbed by real artists. Brahma AI has been used only for lip-syncing, not for dubbing the dialogues. @SonyPictures must urgently launch an international campaign to clarify this distinction. With growing resistance to AI-generated content in cinema, misinformation of this nature could seriously affect the film’s reception. The audience deserves to know the truth before forming an opinion. @malhotra_namit
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Suchin Mehrotra retweeted
My favorite thing about camping is when I don't go and have running water and electricity instead.
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Hope is a gonzo wild ride. A smashing creature feature that feels like two movies in one. The first "half" is a single, breathless can't-look-away chase sequence that's essentially its own movie. From there it goes into more conventional world expansion and franchise building.
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Insanely kinetic action, scary monsters, laugh out loud funny characters, and a cool new world to swallowed up by. A gloriously fun time at the movies. It's out in theatres now. Unfortunately it's the English dub which is a tad irritating but by no means a dealbreaker.
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Elephant in the room : ADDRESSED Ducks : In a fucking row Horses : HELD Eggs: In so many baskets Bigger Fish : Fried Ace : Up my sleeve 2 Birds : Stoned
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I'm so fed up of filmmakers staging horrendous violence (almost always towards women) as an excuse to show oppression and establish a heinous villain. It doesn't have the intended effect when you clearly Relish staging those scenes. You can feel them salivating at the ugliness
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The Paradise opens with a pregnant women being hooked up to a car battery and electrocuted till she's literally forced to give birth...all in the name of showing oppression and introducing a violent villain. And this is the movie I was excited for?
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Suchin Mehrotra retweeted
It’s always amazing to get this energy . 🙏🏻 Thank you IFP Festival It was great sharing views with Smita Singh & @krnx and @suchin545
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Reckless, messy, moral, turgid, forcefully stylish, and deeply rewarding, Dorothy has only expanded in my mind in the weeks since I’ve watched it. Reviewed it, with spoilers. It is now streaming on Netflix. hollywoodreporterindia.com/a…
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Tells you everything about the main audience they're aiming for
Embargo for international press reviews for #Ramayana will get lifted on October 30. So, whoever is talking about it before 30th is breaching the embargo. 😕
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Suchin Mehrotra retweeted
Bose teaming up with Hitler and using Prabhas's unbreakable Gita-inspired code to counter the Brits was not on my movie bingo card
Abey Oye Firangiiii 😎😎 INDIA’S BIGGEST REBEL SOLDIER Reporting! 🫶🏻🔥 Here is File No.25 - #FAUZI 🔥 ▶️youtu.be/ujzBbf9uqdY
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Suchin Mehrotra retweeted
communication is NOT key!!!!! i ruined everything by communicating!! everyone keep your mouth shut NOW!!!!!!
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Prime Video’s Chaar Yaar is a middling, unimaginative crime thriller that refuses to go past second gear.
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Udta Teer is too afraid to commit to the bit. an Add film but certainly not a surprising one. It (initially) leans into its spoofy, slapstick comedy and isn't afraid to have fun with (not necessarily make fun of) patriotism and animosity.
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To treat the blood boiling with a charming lightness (Rahul Bose and Suhail Nayyar threaten to steal the show).
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Only to (unsurprisingly) walk it back, get solemn and dull whilst burying us in so many twists within twists, hitting you from all sides, it hopes to confuse you into submission and gaslight you into believing you had a good time.
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"This is when, as a viewer, you realise that the film becomes the very entity it appeared to parody. All the Muslim cartoon-baddies in the first half start to reflect the very demonisation you thought the film was spoofing" hollywoodreporterindia.com/r…
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