chris wei (he/him) (@therealchriswei) header
chris wei (he/him) (@therealchriswei) profile picture

phd candidate @ univ. of iowa; author; editor; teacher; tutor; artist; postmormon; socialist. my books, articles, podcasts, albums, & videos are @ https://nitter.gq/t.co/1ECAfPyZSL.

Iowa City, IA
Joined June 2012
Photo by chris wei (he/him) (@therealchriswei)Photo by chris wei (he/him) (@therealchriswei)Photo by chris wei (he/him) (@therealchriswei)Photo by chris wei (he/him) (@therealchriswei)Photo by chris wei (he/him) (@therealchriswei)Photo by chris wei (he/him) (@therealchriswei)Photo by chris wei (he/him) (@therealchriswei)Photo by chris wei (he/him) (@therealchriswei)Photo by chris wei (he/him) (@therealchriswei)Photo by chris wei (he/him) (@therealchriswei)
chris wei (he/him) retweeted
Rejoice. KEN RUSSELL’S THE DEVILS is here to stay. Experience the uncensored director’s cut only in theaters: thedevils.movie
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chris wei (he/him) retweeted
looks absolutely incandescent on the big screen. an experience that can't be overhyped.
“A film unlike anything that has come before or after it. You won’t be the same afterward.” @dreadcentral Nine more days until KEN RUSSELL’S THE DEVILS is unleashed into theaters for one week only: thedevils.movie
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chris wei (he/him) retweeted
I think two character decisions always impress me about Mad Men: making this guy kind of wise and not a total asshole, along with making Pete a sincere anti-racist. Other shows will just let the archetypes do the typing for them.
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chris wei (he/him) retweeted
when you've seen films like this it really makes you wanna find whoever normalised the idea that any films that are old/foreign are inherently pretentious and beat them to death with your bare hands
Before the "horror" genre existed, there was this masterpiece of German Expressionism:
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chris wei (he/him) retweeted
At 28 years old, Derek Jarman designed the sets for KEN RUSSELL'S THE DEVILS – the first film he ever worked on. Tickets on sale now for the restored director's cut: thedevils.movie
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chris wei (he/him) retweeted
Without exaggerating, it's my favorite video in the world
Una gata embarazada estaba por parir Así que su amiga paloma fue y se puso a hacerle un nido
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all bangers lately, turns out the trick to cinematic satisfaction is to watch shit that comes out between 1971 and 1988
Happy Last 4 Friday to all who celebrate, have a great weekend gang!
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chris wei (he/him) retweeted
ECLIPSE SERIES 50: SARA GÓMEZ'S REVOLUTIONARY CUBA • Coming to Criterion in December! criterion.com/boxsets/9119-e… A true cinematic revolutionary who used the camera as her tool in the fight against oppression in all forms, the Afro-Cuban filmmaker brought the stories of ordinary Cubans to the screen with a bracing immediacy and insight.
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chris wei (he/him) retweeted
Here’s 32 good to great movies from just the last 18 months
Something fun about the fact movies are going away forever very soon is that it feels like any new movie could be "the last movie". I used to think it would be One Battle After Another but now I feel like it's Primetime
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chris wei (he/him) retweeted
Replying to @jasonachristian
No one. Not to be a downer - but I think there is very little happening in cinema right now because of the state of the world, funding issues globally, genuinely inspired creativity in limited supply. It'll swing back around one day.
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chris wei (he/him) retweeted
Love this little paragraph about Hawks’ ‘style’
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chris wei (he/him) retweeted
This video of a narcoleptic dog is somehow even better than I was hoping
Atteint de narcolepsie, le jeune cocker Gösta a une particularité : dès qu'une émotion devient trop forte, il tombe aussitôt de sommeil.
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chris wei (he/him) retweeted
Every now and then this country shows glimpses of the actual greatness it’s capable of
THEY GOT THE HOT DOG IN THE BUN 🌭
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me + some faves
This quoted post is unavailable.
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chris wei (he/him) retweeted
Not really what I want the Vice President to be saying
Vance: I'm trying to focus on doing as much of God's work as possible. And if that leads to the end times, okay
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chris wei (he/him) retweeted
Mosfilm’s YouTube channel is a goldmine of restored Russian cinema, where you can watch for free online classics. Tarkovsky’s masterpieces, Kalatozov’s 'I Am Cuba', Klimov’s 'Come and See', Eisenstein’s 'Battleship Potemkin', and many more. youtube.com/@Mosfilm_eng/vid…
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chris wei (he/him) retweeted
la cinefilia no es disfrutar del cine no lo digo yo lo dijo sontag
pues que queréis que os diga… pero para mi amar el cine es esto (aún así, tengo muchas con nota bajísima, pero he visto más de 40 pelis de 2026 y obviamente no puedo poner todas), supongo que no puedo ser cinéfilo si veo el cine para disfrutar…
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*taps the sign* Please watch this @imPatrickT video. He explains it so well that I really have nothing to add.
I would actually love to hear a cinematographer explain why so many movies look like this now? It’s not just marvel, even comedies that are shot on location constantly have this out of focus background that makes everyone look like they’re standing in front of a green screen
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chris wei (he/him) retweeted
Carpenter's bitterness is 100% deserved. He's a master at doing so much with so little & everyone wrote his work off as schlock til fairly recently. He peaced out & said " You get nothing from me again. Royalty checks for video games & synth music with my son til I die." Love him
John Carpenter ripping Eli Roth and other directors in 2011 🔥 Dude was always a real one, as if he predicted where things would wind up today.
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chris wei (he/him) retweeted
There are various issues to disagree with here, but the basic point remains that Wilson is a very poor film reviewer being asked, again and again, to review a film that she has not understood particularly well.
In Christopher Nolan’s “Odyssey,” viewers see inside the Trojan horse, but they “do not see inside the characters or their world,” Emily Wilson argues. theatlantic.com/ideas/2026/0…
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