slio ♨️ retweeted
日本は古代から多文化共生の国である。朝鮮半島から稲作を学び、中国から漢字を輸入し、仏教を取り入れ日本の神々とコラボレートした。南蛮文化、明治維新による西欧化、敗戦後のアメリカナイズ、それこそ、節操がないくらい多文化を自国の文化として吸収していった。だから日本には異文化との軋轢というものが存在しない。日本人は何でも受け入れるのだ。今の排外主義が特殊であるのだが、これすら欧米の後追いでしかない。日本の伝統を重んじるなら、排外主義などあり得ないのである。
i deleted my earlier post whining about this but last week on twitter it was everyone being like 'oh my god china so based and socialist unlike the japanese rapist pedophile nazis' and this week it's 'wow the chinese are so nationalistic and racist and authoritarian' i mean jfc
this is all probably why i've never managed to keep an account active on here for more than a year or so at a time, this shit literally starts to drive me insane very quickly
slio ♨️ retweeted
On This Day: October 28, 1989
Jun Togawa was featured in CUTiE Magazine for a dramatic and theatrical subculture fashion spread captured by Nobuyoshi Araki. These portraits showcase Jun wearing a gothic, punk-influenced 80s ensemble with heavy layering. #戸川純
slio ♨️ retweeted
Malawian guitarist Daniel Kachamba plays his composition “Zotsala Kumanda” at a film institute in Göttingen, Germany in 1972
📽️: @african_guitar
slio ♨️ retweeted
what glazing? it's just been the usual xenophobia and racism while still endlessly engaging with shows from the country. nothing has changed


































