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Don't miss my new series!
Five Masters of Terror and Their Deeply Useful Ways to Disturb People
Here's the line-up
Tuesday: Stephen King: Make the ordinary unsafe.
Wednesday: Shirley Jackson: Let perfectly polite people become deeply unsettling.
Thursday: Edgar Allan Poe: Trap us inside a mind we shouldn’t trust.
Friday: Daphne du Maurier: Make a place feel as though it knows something.
Saturday: Alfred Hitchcock: Let the audience see the danger coming.
While I'm writing a short article series on five masters of horror, I have to give a shout-out to a contemporary mistress of dark psychological thrillers, Nicky Shearsby
Her novels take a "whydunnit" route into this territory: understanding the person you’d rather keep a safe distance from. That suggests a useful question for writers struggling with maintaining suspense: once readers know who your dark soul is, can you keep them reading to discover how that person justifies being one? A locked door is troubling. Someone on the other side who thinks they’re being perfectly reasonable is much more interesting.
I’m locking myself in the writing shack to unpack masterclasses from the greatest minds in horror.
Starting this week, I'm breaking down exclusive tips and mechanics from Stephen King and 4 other horror icons to show you exactly how to write stories that terrify readers.
Drop your favorite horror author in the replies—let's see if they made the portrait wall. 👇
Don't miss my new series!
Five Masters of Terror and Their Deeply Useful Ways to Disturb People
Here's the line-up
Tuesday: Stephen King: Make the ordinary unsafe.
Wednesday: Shirley Jackson: Let perfectly polite people become deeply unsettling.
Thursday: Edgar Allan Poe: Trap us inside a mind we shouldn’t trust.
Friday: Daphne du Maurier: Make a place feel as though it knows something.
Saturday: Alfred Hitchcock: Let the audience see the danger coming.
To kick things off with Stephen King: What is his absolute most terrifying book, and what is the #1 writing lesson you took away from it?
For me, it’s the pacing of Misery. Let me know yours below!
Writing is often what pulls me out of a mental slump. It’s the rest of the writing life that wears me down: querying, criticism, travel, too much screen time, and isolation. The writing itself brings me joy. Apparently, imaginary people are good for me. It’s the real ones who complicate things.
C.Z. Swanson retweeted
If you are having an off day, are you still able to write? Does depression and mental health ever get in the way of your writing life?
A writer will ask anybody for backstory if chapter three starts acting up. Even in a Kaua'i horror maze.
#HalloweenVibes #HalloweenCountdown #writingcommunity
She took that personally. Grew couture.
#Caturday
Learning to keep going without an audience is a useful skill. So is learning whose voice you no longer need in your head. There’s work to do, and the cat’s already in my chair.
“Back to HOLLOW GROUND. Someone in there knows what happened, and I’m beginning to take the silence personally.”
#writingcommunity #writersofx #writerslift
Having these people in our lives (hopefully former lives) is useful knowledge for a novelist. An exhausting way to live. Some people are best kept on the page, where you decide how long they stay.
When my urge to write suffers, the first place I look is at who I've been spending time with recently.
I know that rehearsal well. It took me years to realize how much responsibility I’d taken for someone else’s reactions. Longer still to stop doing it—and accept that some relationships wouldn’t survive my speaking freely.
C.Z. Swanson retweeted
Love your characters? You may be letting them off too easily.
For the final part of Great Idea. Dull Chapter. What Happened? Keo demonstrates why compassion can be a terrible survival strategy—and how letting choices have consequences can get your story moving.
He’d have preferred a less practical demonstration.
xitter.cf/uthorcdswanson/status/…
#WritingCommunity #AmWriting #WritingTips
The hard part is learning that feeling guilty doesn’t necessarily mean you’ve done something wrong. Sometimes it means you’ve stopped doing what everyone has come to expect.
C.Z. Swanson retweeted
Bringing this article back while I focus on my current ms. Fellow writers, pull up a chair. Pau will decide if you can stay. xitter.cf/uthorcdswanson/status/…
C.Z. Swanson retweeted
Taking a break from writing about writing to do some actual writing. Keo has surfaced covered in mud and seems to think I owe him an explanation.
Back to Hollow Ground.
#WritingCommunity #AmWriting
🤖 Made with AI
Eight days until Halloween. Pau is making alterations. Professor Moʻo went unnoticed in the last cartoon. This time, he’s making sure there are witnesses.
#WritingCommunity #HalloweenCostume #thrillerwritercartoon






















