Vikram Bondal retweeted
He's everywhere
. @BlrCityPolice there's a man going around Jayanagar area clicking pictures of people without consent
Vikram Bondal retweeted
Still trying to come to terms with this news. We've spent so many days together, made films, shared laughs, arguments, ideas and memories that will stay with me forever. Never imagined I'd be writing something like this for you.
Rest easy Sanj. You'll be missed more than words can say.
Vikram Bondal retweeted
La gente que usa audífonos Sony siempre es como MANO AMO LOS WH-8188391716238LABCDEFGHIJKL
Vikram Bondal retweeted
I saw someone at In-N-Out fill his water cup with sprite and he told me "dont be a hero" then flashed his 9mm concealed carry at me
Vikram Bondal retweeted
Kannada Twitter has gone bonkers since two days! The names the images my god!! Hilarious 🤣
Loved his interviews and his appearances on various podcasts. Made no excuses for the kind of filmmaker he was. And spoke bluntly about industry matters.
Absolutely unbelievable.
Rest in peace #SanjayGupta sir. I will always remember the kindness and warmth you showered upon us. Thank you for the movies, the memories and everything. 🙏💔
Vikram Bondal retweeted
THE THICK OF IT (2005) is British political satire at its sharpest. Peter Capaldi’s Malcolm Tucker is a foul-mouthed force of nature, turning government incompetence into some of the funniest and most vicious television ever written.
Vikram Bondal retweeted
I’m seeing a lot of people criticise MobLand for being unrealistic and its storylines for being too far fetched. As someone who loves grounded crime dramas like Gomorrah and The Wire, I think it helps to consider exactly what kind of show MobLand is trying to be…
I’d put it in a similar space to Gangs of London, created by Gareth Evans, director of The Raid films. Both shows exist in heightened criminal underworlds where over the top action and outrageous situations are commonplace.
MobLand is, to a large extent, an action vehicle for Tom Hardy. A significant part of its appeal is watching him handle impossible situations, shoot his way out of trouble and still looking really cool while doing it. Harry De Souza is a classic male power fantasy in much the same way Batman or James Bond is.
The show taps into what’s often called “competence porn”, a genre of tv centred around characters who are extraordinarily good at their jobs. The appeal is to be watch them pull off impossible tasks under extreme pressure. This genre is never about realism, but instead exists in its own hyper reality, much the same way the John Wick movies do.
In style and tone, the show reminds me a lot of Guy Ritchie’s criminally underrated Wrath of Man, starring Jason Statham. Statham plays an armoured truck guard with a dark past, who is far more qualified and dangerous than anyone around him initially realises.
Much of the fun of that film comes from watching how calmly and efficiently he deals with armed robbers while everyone else around him completely loses their shit.
The film perfectly balances the high-end B-movie action Statham is known for with the more polished crime filmmaking Ritchie is known for.
Given Guy Ritchie’s role in establishing the style and tone of Mobland, I imagine this is exactly the kind of overlap they were aiming for.
I’ve also seen a lot of criticism directed at Maeve and Conrad, which is understandable. They’re exaggerated, over-the-top, theatrical caricatures of crime bosses. But they’re established that way for a reason: to be placed in contrast to Harry.
Their cartoonish ineptitude is part of the point. Their frustrating behaviour creates the chaos that allows Harry’s competence to shine. The bigger the mess they make, the more satisfying it is to watch him figure out a way through it.
And that is a whole point of MobLand: watching exactly how Harry solves all these problems. It’s a gangster themed fantasy world, where Harry always has a way out.
There’s always a contact he can call or some vulnerability he can exploit. He always seems to know a secret that gives him the upper hand, and the people he uses it against are usually unpleasant enough that you enjoy watching them squirm.
It’s completely implausible when you really think about it, but the point isn’t to think, the point is to sit back and have fun.
I’ll have a long form video on the show up soon once this seasons finished, so stay tuned.
In MobLand, much of Harry Da Souza’s past is left unexplained. However, in season two, the show reveals that he spent seven years in the British Army’s Parachute Regiment, and that background helps explain a lot about the character.
The Paras are an elite airborne infantry regiment trained to deploy quickly into dangerous situations, including by parachute or helicopter.
Paras often operate in small teams under a designated leader. These teams can be deployed ahead of the main force, sometimes with limited support, placing particular emphasis on initiative and the ability to adapt when plans go wrong.
They often find themselves travelling to locations by air, and fighting larger enemy forces with limited support, a situation Harry faces in both season 1 and 2 of the show.
Before I go on, this post contains some spoilers for season one. I’ll avoid season two spoilers for anyone still catching up, apart from Conrad’s revelation about Harry’s past, which I’ve already mentioned.
Over seven years in the Parras, Harry would have likely advanced to l corporal, commanding a section of eight to ten soldiers. And that explains a lot about how he operates in the Harrigan crime family. Conrad gives him an objective like a commanding officer, and Harry takes full responsibility for working out how to achieve it, without ever questioning orders.
Kiko and Zosia work under him as a small, trusted unit, looking to him much as soldiers would their section commander, never once challenging his authority.
Conrad reveals that Harry worked in private security before joining the Harrigans, leaving the details of that period vague. Harry may have recruited Zosia and Kiko through contacts from this earlier part of his career.
Towards the end of episode one, there’s a moment where the team holds Richie Stevenson in their crosshairs, awaiting Conrad’s decision to “stick or twist.” Harry directs the operation, with Zosia and Kiko ready to act on his signal. Their familiarity with their roles, especially Kiko’s handling of the sniper rifle, suggests military experience.
Another sign of Harry’s military training is his confidence handling grenades. In episode seven, he uses one during a gunfight with heavily armed Moroccan gangsters, and you get the impression it’s far from the first time he’s done it.
In episode five, he arranges to have guns and grenades smuggled into Richie Stevenson’s home ahead of Tommy’s wake. He anticipates a possible ambush and makes sure they have weapons available if things go wrong. That kind of planning fits his background in the Paras, where operating with limited support makes preparing for unexpected problems especially important.
You also see it in how quickly Harry gets people out of danger. On more than one occasion, he has to evacuate Jan and Gina from their home, much as a Para might evacuate civilians under a military threat.
Harry always has a contingency plan for anything that might go wrong, as he tells Conrad in episode eight, “My job is to predict the future.” He anticipates problems and makes sure he has the necessary tools to respond: “Small tools, big tools, and in cases of real emergency, some really big fucking tools.”
For Harry, working for the Harrigans is just one long, drawn out military campaign, as he says in episode six when Conrad asks, “Harry, are you ready for this war?” Harry replies, “It’s all war, Conrad.”
Vikram Bondal retweeted
💔 New Beginning! 🏏
Reaching 242K subs, my previous Yt Channel came to an end due to copyright strikes.
What was most disappointing was receiving strikes on videos I never expected.
Started a NEW yt channel.
Same Passion for Cricket! ❤️ Please subscribe
youtube.com/@cricketking-o8w…
Oh man. Sad.
𝗙𝗶𝗹𝗺𝗺𝗮𝗸𝗲𝗿 #𝗦𝗮𝗻𝗷𝗮𝘆𝗚𝘂𝗽𝘁𝗮, 𝗸𝗻𝗼𝘄𝗻 𝗳𝗼𝗿 𝗱𝗶𝗿𝗲𝗰𝘁𝗶𝗻𝗴 #𝗞𝗮𝗮𝗻𝘁𝗲, #𝗦𝗵𝗼𝗼𝘁𝗼𝘂𝘁𝗮𝘁𝗪𝗮𝗱𝗮𝗹𝗮 𝗮𝗻𝗱 #𝗠𝘂𝗺𝗯𝗮𝗶𝗦𝗮𝗴𝗮, 𝗵𝗮𝘀 𝗽𝗮𝘀𝘀𝗲𝗱 𝗮𝘄𝗮𝘆.
We at Bollywood Hungama express our heartfelt condolences.
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