
Stream of Conscious X’ing #EclecticAnthropology #ShadowsideMedicine #Conflict #WW2 #Archives #Spectrality #Haunting #Presence #Ethnography #Ekphrasis
Brandon, Manitoba
Joined August 2014
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Emma Varley retweeted
A P-51B Mustang of the 354th Fighter Squadron flies escort for B-17G Flying Fortresses of the 381st Bomb Group, Summer-Fall 1944.
Emma Varley retweeted
4 November 1948. British test pilot, Squadron Leader John Douglas Derry DFC completed a journey from London to Rome in a record time of 2 hours 50 minutes, flying a de Havilland Vampire FB5.
Emma Varley retweeted
Rachmaninoff wrote his Isle of the Dead after seeing only a black and white print. He said that had he seen the color original, he probably would not have written the music. Cypress black, ochre rock, still teal water.
Arnold Böcklin, Island of the Dead. 1880.
Oil on wood.
Emma Varley retweeted
A researcher was examining archives at the University of Utrecht library in the Netherlands when he discovered a 1,700-year-old fragment of parchment from The Odyssey. The small text had been miscataloged for decades as an unimportant medieval document.
The fragment, which is about the size of a playing card and bears noticeable water stains, dates from the 3rd or 4th century A.D. It contains verses in Greek from Book 12 of Homer’s classic, precisely where Odysseus recounts his crew’s fateful journey.
This fascinating discovery demonstrates that the most unexpected historical treasures remain hidden on university shelves.
Emma Varley retweeted
When Germany invaded the Soviet Union in June 1941, the front line wasn't where the danger was. The danger was behind it.
Men in civilian clothes would work a field by day and shoot sentries at night. A supply truck would leave a village and never arrive. German soldiers were found with their throats cut and nobody in the village had seen a thing.
On July 3, 1941, Stalin went on the radio and made it official. Form partisan units. Blow up bridges. Make conditions unbearable for the enemy everywhere they go.
Under the laws of war at the time, a fighter without a uniform had no protection. The Germans treated every one of them as a murderer, and every village that hid one as an accomplice.
The thing is, Berlin had already decided how this would go. In May 1941, a month before the invasion, the Barbarossa Jurisdiction Decree told German troops they would not be prosecuted for crimes against civilians and could burn villages in collective punishment. When Stalin called for partisan war, Hitler welcomed it. It gave him, in his words, the chance "to eradicate everyone who opposes us."
By September, the official rate was 50 to 100 civilians shot for every German killed.
In Serbia, the rate was 100 for every dead German and 50 for every wounded one. After an ambush near Gornji Milanovac killed 10 Germans in October 1941, around 2,800 men and boys were shot in Kragujevac. Some were high school students marched out of class with their teachers.
The reprisals were supposed to turn the population against the partisans. They did the opposite. A man whose family was shot and whose house was burned had nothing left to lose, so he went to the forest. The partisan movement grew every time the Germans tried to scare it into submission.
So both sides kept raising the stakes.
In December 1942, Keitel told German troops they could use any means "even against women and children," and no one would be punished.
In March 1943, partisans ambushed a German patrol near the Belarusian village of Khatyn and killed Hans Woellke, a German Olympic gold medalist. The next day, the villagers were herded into a barn and burned alive. 149 people. 75 of them children.
Khatyn was one of more than 600 Belarusian villages destroyed along with their people.
The partisans weren't playing by different rules. Prisoners were rarely taken, because there was nowhere to keep them. Wounded Germans were finished off where they lay. Anyone suspected of helping the occupiers was shot or hanged, sometimes with their families. In May 1943, Soviet partisans killed 128 people in the Polish village of Naliboki.
By the end, Belarus had lost roughly a quarter of its population.
It started with shots in the dark and orders that were already waiting to be used. It ended as a war where nobody expected mercy and nobody gave any.
Emma Varley retweeted
bbc.co.uk/news/articles/cqx2…
The story about the squash court ghosts at Bircham Newton is still hitting the news. Paul Lee visited me at the Heritage Centre in 2023 and last weekend on the 25th of October.
Worth a read if you are into this sort of thing!
Emma Varley retweeted
Goya painted this straight onto a wall of his own house, never meant for the public. A vast empty ochre field over one small dog's head, more than a century before abstraction.
Francisco Goya, The Dog. 1819-23. Mural transferred to canvas.
Emma Varley retweeted
“But I'll tell you what hermits realize. If you go off into a far, far forest and get very quiet, you'll come to understand that you're connected with everything.”
~Alan Watts
Artists: Carl Johan Bridge & Martin Clark Bridge
Emma Varley retweeted
'Every woman who can be spared is needed now!'
This Ministry of Information film from the Second World War encourages women to join the women's branches of the Armed Forces. You can find the film in full on our website here: bit.ly/4e7bDBi
Film: IWM NPB 12678
Emma Varley retweeted
“There is little hope of our ever being able to reach even approximate consciousness of the self, since however much we make conscious there will always exist an indeterminate and indeterminable amount of unconscious material which belongs to the totality of the self.” ~C.G. Jung, The Function of the Unconscious, CW 7, para. 274
Emma Varley retweeted
Muy bien rodada esta secuencia de Deborah Kerr atrapada en los barrios bajos londinenses donde se topa sorpresivamente con su marido Gary Cooper, al que cree un asesino en “Sombras de sospecha” (“The Naked Edge”, 1961), de Michael Anderson.
#sombrasdesospecha #thenakededge
Emma Varley retweeted
The setting of 'The Storm,' (1893) is Åsgårdstrand, where Edvard Munch often spent his summers. The main figure and the group behind her cover their ears to keep out the howling winds. This picture was made the same year Munch painted The Scream.
Emma Varley retweeted
El escritor y cineasta Pier Paolo Pasolini ante la tumba del filósofo marxista Antonio Gramsci. La imagen, capturada a finales de la década de 1950, sitúa a Pasolini en el Cementerio Acatólico de Roma, un espacio de calma en el barrio de Testaccio donde descansan los restos de Gramsci tras su trágico fallecimiento debido al cautiverio y las privaciones sufridas bajo el régimen de Benito Mussolini.
Para Pasolini, este lugar no era solo un espacio de luto, sino el epicentro de un doloroso debate interior. La contemplación de la tumba de Gramsci dio origen a una de sus obras literarias más importantes y desgarradoras, el poema Las cenizas de Gramsci (Le ceneri di Gramsci), publicado en 1957. En esta obra, el poeta dialoga de manera imaginaria con el teórico comunista, expresando una dolorosa paradoja que marcó toda su producción intelectual.
Pasolini le confiesa a Gramsci que se encuentra dividido: por un lado, se adhiere plenamente a la ideología revolucionaria e intelectual del filósofo, pero por el otro, se siente irremediablemente atraído de forma visceral, casi carnal, por la pureza del mundo preindustrial, las tradiciones y la vida de los jóvenes marginados del proletariado romano, un mundo que las dinámicas de la modernización comenzaban a disolver.
La fotografía es un reflejo de ese instante de balance, una síntesis de la herencia del antifascismo y del inicio del desencanto de Pasolini con el consumismo que transformaría a Italia en las décadas posteriores. La mirada baja del autor frente a la sobria inscripción del sepulcro captura de forma perenne el respeto, la melancolía y el peso de un legado ideológico que ambos compartieron, cada uno desde su trinchera histórica.
Emma Varley retweeted
A "Map Of The Dominion Of Canada And Newfoundland" in 1902. credit: david rumsey collection
Emma Varley retweeted
Japanese ghosts are known for holding a grudge. These phantasms tend to be portrayed in the white garments used to clothe the dead.
nippon.com/en/articles/-/563…
Emma Varley retweeted
Merveille de l'art étrusque, les Chevaux Ailés de Tarquinia ornaient le fronton du temple de l'Autel de la Reine sur l'acropole de la puissante cité des Tyrrhéniens, comme les appelaient les Grecs.
Musée archéologique national de Tarquinia, terre cuite, IVe siècle av. J.-C.




































