We are a production company seeking to make impactful and extraordinary stories to move and change the world. Founded by @bendepear

Joined June 2022
basement films retweeted
Navi Pillay on the legal proof for genocide in Gaza | Israel - Palestine... youtu.be/XYpDoWW-nZs?si=MyZg… via @YouTube Please watch this short video. It is essential viewing
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basement films retweeted
On the mistake of dismissing pro-Palestine protests - from 6 Nov 2023: 'In the long run, the instincts of those who have argued for restraint, compassion, adherence to international law and the bloody pointlessness of reprisal have been proved right.' theguardian.com/commentisfre…
Foreign Secretary Ed Miliband: 'I want to say to the millions of people in this country and indeed elsewhere, who have been moved and outraged by the plight of the Palestinian people. We hear you. You were right' trib.al/uh5mVzw 📺 Sky 501, Virgin 602
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Journalist Ramita Navai follows a paper trail of government records in a new Dispatches investigation, examining the UK’s conduct in Gaza.
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basement films retweeted
The Editing: Factual BAFTA goes to Mel Quigley and Andy Kemp for Gaza: Doctors Under Attack. #BAFTACraftAwards with @SamsungUK OLED
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In Gaza, 1 in 5 households survives on just one meal a day. Many families are forced to borrow money or resort to desperate measures to get enough food. @WFP has expanded its life-saving operations, but the situation remains extremely fragile. wfp.org/emergencies/palestin…
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basement films retweeted
“My report shows that torture extends far beyond prison walls, in what can only be described as a torturous environment imposed by Israel across the entire occupied Palestinian territory,” @FranceskAlbs told the @UN Human Rights Council in Geneva. #HRC61➜ohchr.org/en/documents/count…
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basement films retweeted
Replying to @AssalRad
I reported this story and have been working around the clock since Saturday to cover the deaths and obtain definitive evidence so that we can confidently assign responsibility. We've been reviewing photos of the dust covered bodies of children and verifying their names against the names scrawled on little coffins. We've been debunking false claims about the attack and that the harrowing cemetery photo isn't real. And while it appeared obvious to many early on that the U.S. or Israel hit the school, it takes days to sift through, pinpoint and analyze the evidence. It took four days before a new satellite image we ordered came through so we could confidently assess the damage and the types of weapons used. All that reporting and cross checking and the production of the visuals showing it takes time. But it ultimately allows us to more confidently assert U.S. responsibility, explain our rationale and add to the body of reporting that officials should be challenged with. It's easy to critique a headline, and I agree language matters, but you diminish the reporting. We're not justifying anything, we're stating where the reporting points responsibility, and quoting legal experts on the laws of armed conflict. Here's a gift link nytimes.com/2026/03/05/world…
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basement films retweeted
The Committee to Protect Journalists has found more journalists and media workers were killed in 2025 than any year since its records began 30 years ago (2024 was the previous record). Israel was responsible for two-thirds of deaths in both years cpj.org/special-reports/reco…
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basement films retweeted
I came back today. I thought I had known despair before, but what I saw today is beyond despair. It is not grief, nor horror, nor pain. It is something colder, a stillness where even God seems to have withdrawn His hand. The sky was impossibly blue. The kind of blue that mocks you, that makes you wonder whether beauty itself is a crime. I walked through streets that no longer exist, streets that were my childhood. They are now a wilderness of stone, wire, and dust. A man stood on a heap, a neighbor, I think. He pointed and said, “It’s here.” I asked him how far. He looked down. And I understood: my house was beneath his feet. I lifted my phone, as if the machine could recognize what I could not. The screen glowed; there was nothing to see. The earth had swallowed the distances. Even the smell of home was gone. It was as if the thread connecting me to life itself had been cut. I dug with my hands. The dust burned. My palms bled. My mother had told me: “Search for anything we can save.” And so I obeyed her like a son obeys the last voice that still believes there is meaning in obedience. From a house that once cost my father one hundred and twenty thousand dollars, a lifetime of labor, of hope, of decency, I found two things: a knife, and a pillow. Two relics of civilization. One for necessity, one for illusion. That is what remains of man. I sat in the ruins, the blue of my shirt turned gray with ash, and I thought: this is the end not of a city, but of meaning itself. I thought of my parents, their hands, their faith in honest work. How will they bear this? How will any man bear seeing his father’s roof turned into dust by a stranger’s hands, hands that will never know the names of those they destroyed? But what tears me apart more than ruin is silence. No one speaks to us. No one tells us where to go, who will rebuild, or who is responsible. The politicians talk of victories, the generals of strategy, the world of peace and progress. But none of them live here among the ashes. None of them stand where I stand, sifting through their own dead. And those who claim to represent us, where are they? Where is the money they collected in our name, the promises they made before the cameras, the slogans they wrote while we buried our children? Who among them will come to this ruin and say: Forgive us, we failed you? Not one. They sit in offices with clean shirts, counting our corpses as figures on paper. They say “reconstruction,” “aid,” “negotiations,” as though the vocabulary of power could fill the emptiness of a mother’s bed. I tell you the truth: there is no crime greater than indifference. The murderer at least acknowledges the victim. But those who look away, they kill the soul itself. I brushed the dust from my shirt, though I knew it was useless. I wanted to see if there was still color left in the world. There wasn’t. The blue had become the color of mourning. I looked at my hands. They were shaking, not from fear, but from the unbearable realization that we have become expendable to the world. Our suffering is entertainment, our death a policy, our endurance a statistic. I wept then, openly, shamelessly. I, who once believed in the dignity of suffering, now see that dignity itself has been annihilated. There is nothing noble in being forgotten. If you are reading this, do not admire the style or the language. Lower your head, and weep. Because this dust, this silence, this cry, is what remains of us.
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basement films retweeted
“We’ve got enough food to feed everyone in #Gaza for between two and three months, and the population is starving. We’ve got shelter items for hundreds of thousands of people, blankets for over a million people,” our Sam Rose tells @‌MiddleEastEye. UNRWA stands ready to deliver life-saving aid as people return to their homes across Gaza following the #ceasefire. Allowing UNRWA to distribute supplies is essential to meet urgent needs and support recovery. Full story: middleeasteye.net/news/more-…
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This is Khanyounis, where I live. Completely destroyed.
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basement films retweeted
We have returned, like we’ll always do. 📍Gaza City
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"It was horrendous when I went [to Gaza] in February and met kids who had had amputations without anesthetics. It's horrendous that kids are dying of starvation, affecting their bodies, consuming their own organs. What we give them to try and avoid that is this kind of high protein peanut butter paste. And we've been told we can't bring peanut butter in because it's a luxury, because Hamas might try to steal the peanut butter." A harrowing account of the situation in Gaza from @UNReliefChief
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basement films retweeted
“They didn't want the hospital to keep working. That was his flaw. He kept the hospital going.” Israel has detained Dr. Hussam Abu Safiya for over 250 days. A new film from @ajfaultlines follows the doctor from his work in a collapsing medical system to his arrest and abuse.
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An Israeli conductor of the BBC Scottish Symphony Orchestra, Ilan Volkov has been arrested at a protest near the Israel-Gaza border. Last week, a clip of him at the Royal Albert Hall condemning Israel’s actions in the almost two-year long war in Gaza went viral.
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basement films retweeted
“She was known as Palestine. She forevermore will be known as Palestine.” Benedict Cumberbatch recited this poem by iconic Palestinian poet Mahmoud Darwish.
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basement films retweeted
More and more people in #Gaza are forced to leave their homes. Forced to take the road to nowhere. There is no safe place for them to go. There is no shelter. Urgent action is needed for #CeasefireNow
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