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Joined June 2009
Hong Sangsoo's 'The Day She Returns' will begin a theatrical run on December 18 at @Metrograph.
Hong Sangsoo's 34th feature 'The Day She Returns' is one of the director's most elemental and revelatory gems. Read @LeonardoGoi's Critic's Pick review from Berlinale: thefilmstage.com/berlinale-r…
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An introductory message from Hong Sangsoo for his 34th and 35th features (both in the Main Slate of this year’s festival). #NYFF64
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Hong Sang-soo’s 34th feature THE DAY SHE RETURNS continues a robust period of autofiction for the filmmaker about aging artists more concerned with being true to themselves than being liked. Kelley Dong reviews for our #NYFF coverage: reverseshot.org/reviews/entr…
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Honored to have spoken with filmmaker Éric Baudelaire, whose new film FOR THE MOON has its world premiere tomorrow at @TheNYFF (it's released by @CinemaGuild). We talked about Masao Adachi, countering TikTok/IG in our contemporary filmmaking, working with blind children, and more
"This media [landscape] doesn’t leave a lot of space for individuals to exist within their relationship *to* the media. We are taken by both hands and run through this rollercoaster." —Éric Baudelaire @misterminsoo speaks with the French filmmaker about his new film FOR THE MOON
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Auteur #HongSangsoo casts his muse Kim Min-hee in #NowhereToLayMyEyes. Experimental filmmaker visits her mother on Jeju Island; mom's partner is a director. Mother/daughter issues anchor gentle @CinemaGuild film about family. Margaret Barton-Fumo reviews: awfj.org/blog/2026/09/30/now…
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Finally got the chance to visit the office of some of cinema’s greatest advocates…
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Dennis Lim on Hong Sangsoo and his films in this year's NYFF: "I am so convinced that it is one film. It is one project, and every film just adds to this massive, ongoing film in progress. I actually think the two from this year are among two of my favorite recent Hongs. Fireflies is doing a second edition of the book I wrote on Hong Sangsoo’s cinema ['Tale of Cinema']. They asked if I wanted to write a little extra, an introduction, and I decided, in the end, to write an afterword because it made more sense. When I had written that book—which was part of a series of monographs about specific films—I had set myself this private challenge that I would write about every Hong film that he had made up until that point, just to prove the point that you cannot consider any single Hong film in isolation. They all relate to one another. I think the two we’re showing are among my favorites." Read our interview with the festival's artistic director: thefilmstage.com/dennis-lim-…
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A great delivery from @CinemaGuild today!
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Yay Ted Fendt!!!!!!!!!!! Come home to Philadelphia
Ted Fendt's latest premieres later this month at @TheNYFF. A 16mm theatrical tour coming in 2027.
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Wonderful news about one of the best American-born filmmakers of the past decade!
Ted Fendt's latest premieres later this month at @TheNYFF. A 16mm theatrical tour coming in 2027.
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It appears the UHD of Somai's MOVING via @CinemaGuild is 50% off right now. Just sayin.
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Coming to 4K UHD 10/27 from @CinemaGuild Moving (1993) 4K UHD Pre-order: amzn.to/4gq56Sg Special Features and Technical Specs: TWO-DISC (4K BLU RAY/BLU-RAY) COMBO PACK RELEASE NEW 4K RESTORATION OF THE FILM ‘The Making of Moving’: a behind-the-scenes TV documentary An Interview with actress Tomoko Tabata An introduction by filmmaker Ryusuke Hamaguchi Theatrical Trailer Booklet featuring an archival Director’s Note by Shinji Somai In Japanese, with optional English subtitles #japanesecinema #bluray #physicalmedia #movie #cinema #physicalmedia #Bluray #cinema #Horror #Movie #Movies #HorrorCommunity #FilmCommunity #4KBluray #4KUltraHD #physicalmedia #FilmstaGram #physicalmediaforever #bluraycollector #bluraycollection #Horror #HorrorMovie #HorrorMovies #Film #Cinema #CinemaLovers #FilmTwitter #Cinephile #MovieBuff #NowWatching
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Hong Sangsoo and Kim Minhee have won Best Director and Best Performance, respectively, at this year's Locarno Film Festival. Read our review of 'Nowhere to Lay My Eyes': thefilmstage.com/locarno-rev…
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Kim Min-hee’s speech after winning the Best Actress Award for her performance in her new film, ‘Nowhere To Lay My Eyes’ (눈 둘 데가 없네) at the 79th Locarno Film Festival today! Another award for her collection! 🎉🏆 #김민희 #KimMinhee #Locarno79
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Otar Iosseliani and Joao Cesar Monteiro at the Venice Film Festival in 1989. Our retrospective of Iosseliani this weekend includes an early shorts program, THERE ONCE WAS A SINGING BLACKBIRD and FALLING LEAVES 🍂
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THE DAY SHE RETURNS (Hong Sangsoo) | North American Premiere Hong Sangsoo returns to themes of aging and the creative pursuit, centering on a middle-aged actress whom we come to know through three spellbinding conversations during a press tour for her first film after years of retirement.
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NOWHERE TO LAY MY EYES (Hong Sangsoo) | North American Premiere Hong Sangsoo follows Sanghee (Kim Min-hee), an experimental filmmaker on a rare visit to see her semi-estranged mother (Choi Myung-gil), in this emotionally grounded yet customarily elusive exploration of aging, family, and the artistic impulse.
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In the @Metrograph Journal: an excerpt from a newly translated interview with Otar Iosseliani by Serge Daney & Serge Toubiana from 1979. The full interview is in our zine, available at the theater starting this weekend. Special thanks @theMummyMa.
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My conversation with critic, translator, and bit player Bernard Eisenschitz on his friend, the Georgian filmmaker Otar Iosseliani. A retrospective of his films is taking place at Asia Society & Metrograph, starting tomorrow. screenslate.com/articles/man…
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