
Author of Kingdom of the Clock, Grotesque Tenderness, The God of Doors | Contributing Editor @newversereview | devoted husband of @emilyasbjorn
British Columbia
Joined March 2014
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Kingdom of the Clock, my novel in verse about contemporary urban living, is finally for sale.
The first pages are attached for curious cats; for those worthies who want to read on, go to the library, send me a DM, or: amazon.com/Kingdom-Clock-Nov…
Publishing poetry is like tossing a rose in the Grand Canyon and waiting for the echo, they say - but a blurb is like an echo heard before you let go!
What echo? The kind words of the wonderful poet, translator, editor, and scholar, 👑 @BorisDralyuk for Kingdom of the Clock!
One miracle performed by Jane Austen is how effortlessly she makes you privy to the interiority of her characters. Only a few pages in, she's making you laugh or grit your teeth by inviting you to imagine how a character she's spent 200 words on would react to a new situation.
It’s easy to take Jane Austen for granted because we live in the world that she created. We struggle to see how groundbreaking and innovative her novels are because they set the template for all modern fiction. Pride & Prejudice, to cite the most obvious example, did more than invent a genre. Anyone who now writes a story in which two people fall in love is either inspired by her or reacting against her. She’s like Tolkien in that sense.
But she did much more than that. She perfected a method of narration known as “free indirect discourse” that’s now used by virtually every writer. You have only to read the novels of pre-Austen writers to see what a tremendous difference she made through her use of this technique. Literary scholar John Mullan argues that Emma launched a revolution in form & technique that’s comparable to the innovations of Joyce and Proust. It is the favorite novel of Susanna Clarke and of Katherine Rundell, who calls it “a book that shows as much of the sweep of the human heart, of fear, love, morality, untruth, foolery and triumph as a Shakespearean drama.” It is also, arguably, the novel that invented the mystery genre, having what J. K. Rowling has called the biggest twist in literature. You don’t notice the greatness of Austen for the same reason a fish doesn’t know that it lives in water.
Spoke with a woman today who has been terribly sick for a month. She told me she watched Emma Thompson's Sense and Sensibility 19 times over the stretch.
Muzzleloader season!!! Of all the topics for a poem, one I never thought I'd see in the real world.
Thanks to @newversereview for publishing "Muzzleloader Season." Here's the beginning, click on the link to read the whole thing. @NHfishandgame newversereview.com/issue-3-4…
Vladimir Nabokov once referred to Dostoevsky as “author of The Double and other works.”
Dr. Jekyll and Mr. Hyde came out 4 years before Picture of Dorian Grey, but I’ve just now discovered Dostoyevsky wrote a novella on the theme of dual identity as well called The Double that came out prior to either…friends, is this a good autumn read?? I just finished Jekyll and Hyde and it was great fall reading
Daniel Cowper retweeted
Just got my MS consultation back from @AlexRettie. 100% worth your money. Poets, pay this fellow.
Daniel Cowper retweeted
"[A] great work of art demands great labour. It wants fussiness, obsessiveness, struggle. It wastes time, not water—a rebuke to our optimization overlords."
Wrote about AI and writing for @thewalrus. Link in the basement.
Daniel Cowper retweeted
One of my favorite poems I've written. I was deeply moved by Rhina Espaillat's comments on it at the reading.
You watch—it’s more than time you tell. You’ve taught
me how to spring ahead, though I fall back;
to wind against the wind by changing tack;
that bearings must be smooth; that seas are not;
@DanielGalef
plough.com/articles/john-har…
He’s trying to help you!
Sorry to vaguetweet, but I got news today that makes me think it would be a good idea for poets to submit to the upcoming issue of @PoemsforPOI rather than waiting for the next time around. Just do it!
pfpoi.blogspot.com/p/submiss…
The funny thing about poetry, and the arts generally, is that two great poems, totalling 679 lines of verse, are sufficient to establish immortality.
Daniel Cowper retweeted
We have something special today at NVR--@Poochigian introduces two new Propertius translations from @amjuster.
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The chances of getting work from Twitter connections are slim, but I could really use some right now. Copy editing, proofreading, manuscript review, instructional design.
Daniel Cowper retweeted
“Farm Kids” by WD Snodgrass. From Not for Specialists: New and Selected Poems (BOA, 2006).
Coincidentally why I’m going to be drinking Armagnac and reading Autumn of the Patriarch within 30 seconds.
“We’ve travelled to the moon. Earth’s secondary light,
And touched night’s quiet lamp without the help of dreams.
We’ve mapped the sea’s deep floor and joined the birds in flight;
All nymphs have left their streams.”
- Tamara Nicholl-Smith!!!
I'm especially proud to be the publisher of this poem.
Take note, @ND_EthicsCenter .
modernagejournal.com/letter-…
Daniel Cowper retweeted
Replying to @shemaiahng
I’m no Andrew Scott, but it’s worth having this one in your head.

































