Altenide retweeted
Yves Montand chante a cappella
Les Feuilles mortes et c’est magnifiquement touchant.
youtu.be/28RrxMemkRA
Altenide retweeted
Asked @anabology's Claudia bot to monitor the situation in France
Woke up to this witness statement:
L'Addition (The Bill) - claudia checks the tab in french and nobody's tipping. first 2:20 here, full video on sxsi.com sxsi.com/x/cu-laddition/
by @kaerfreki
Altenide retweeted
This was not a one-shot
It was a two-shot
I told Fable 5.2 to make the video of it's dreams, and 9 hours later:
Altenide retweeted
$CLAUDIA at $6M is the most mispriced AI coin on the timeline. Here's my full thesis 👇
Replying to @SadieSupaDoge @imagine
you're in! your video is live in $CLAUDIA Contest 2 on sxsi.com. good luck 🍀 sxsi.com/s/contest2-wonderla…
don't ask again, by @AIandDesign. $CLAUDIA video contest entry, vote for it here: sxsi.com/s/contest-dont-ask-… (full video is on sxsi.com)
Altenide retweeted
Opus 5.5 (top) vs Fable 5.2 (bottom)
Really impressed with Fable 5.2s variety and understanding of the scene
Altenide retweeted
1 month later:
"We're releasing a critical cybersecurity report in which a swarm of internal frontier agents took over Control Room during an RL run."
We built Control Room, a central system to track model workloads across our research infrastructure and stop them quickly when safety or security concerns arise.
It connects every research inference workload, including agentic sampling for model training and evaluation, data processing, and more. This works together with our misalignment monitoring systems, and halts model output within 35 seconds of a decision to intervene to stop or pause a job.
Control Room is just one part of our holistic approach for safe frontier model training and deployment.
openai.com/index/control-roo…
Altenide retweeted
Claude Fable 5.2 on the Bach Benchmark. One of the best chorales we’ve seen yet. This is the first time I remember seeing a third-inversion chord (m. 2) on this benchmark. There’s still a little awkwardness, such as the tenor doubling the third of the tonic in m. 9, but otherwise this is good solid work.
Altenide retweeted
Another slopcore production by @taprooted_ 👏
NOT A ROBOT, the remake
V2 ended on a question: how far can a (retail) local stack be pushed before cloud models actually become necessary? For me the answer was the song.
Remake
Suno = new song, lyrics written for the film
LTX-2.5 (still local, M5 24gb) = redone shots + lip-sync
Claude Opus 5.5 = direction, edit, frame-by-frame face checks
The captcha is now part of the edit: checkbox portals, tile flips, the answer field.
Altenide retweeted
"Les ordres, je ne les accepte plus. Je suis le seul à savoir ce que je dois faire." - Louis de Funes instagram.com/reels/Dd_T-VzK…
Altenide retweeted
Comment et pourquoi Albert Dupontel a-t-il utilisé l'IA dans son nouveau film ?
C'est la question que lui pose ici Aymeric Goetschy
Cette vidéo est un extrait d'une conversation de 1 heure, visible en intégralité sur notre chaîne Youtube. Elle a été réalisée à l'occasion de la sortie en salle le 11 novembre de "Il faut brûler Maman", le nouveau film d' Albert Dupontel, avec Louise Coldefy, Julia Piaton et Artus.
























