Javier Pinés (@PinesJavi) profile picture

Redactor en Suplemento Motor Levante-EMV

Joined December 2012
Photo by Javier Pinés (@PinesJavi)Photo by Javier Pinés (@PinesJavi)
Javier Pinés retweeted
What is fair?
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"LA NOCHE NO ES PARA MÍ" 🎶 🎸🌙 Todo el día de aquí para allá Busco algún "leitmotiv" Para saciar de golpe Aburrimiento y soledad 🥁 Two, three! 🎵 Cancion n°1 en los 40 Principales en 1983 🕯Pepa Villalba falleció en Valencia a los 54 años de edad #Vídeo #MovidaValenciana
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Javier Pinés retweeted
Jupol denuncia la "extrema gravedad" de los disturbios en Barcelona y reclama un endurecimiento legislativo "urgente" para reforzar el principio de autoridad de los agentes: "Existe una sensación de absoluta impunidad y España parece un paraíso criminal" europapress.es/nacional/noti…
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Javier Pinés retweeted
De imprescindible consulta. Mirad lo que pasa a partir de 1984...
Best-Selling Shoes Every Year: Rise & Fall (1970-2026) 👟
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Nik Kershaw - Wouldn’t It Be Good ‧ 1984 🎶
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Yazoo - Situation ‧ 1982 😎🎶
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At Live Aid, July 1985, The Cars played “Drive” at JFK Stadium in Philadelphia. The song was already a hit: No. 3 on the Billboard Hot 100 and No. 4 in the UK in 1984, from Heartbeat City. The version that defined the day was not the live one. After David Bowie finished “Heroes” at Wembley, he returned to the microphone and said, “Lest we forget why we’re here,” then introduced a CBC film of the Ethiopian famine. He had dropped a planned song to make room for it. The footage was soundtracked by “Drive.” It played on the giant screens at Wembley and JFK and on the global broadcast. Bob Geldof later said more money was pledged after that transmission than at any other point in the concert. The donation lines in the UK overloaded. A breakup ballad about someone disappearing became for a few minutes, the sound of the reason the concert existed.
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At Live Aid, on 13 July 1985 at Wembley Stadium, Ultravox played “Dancing with Tears in My Eyes” as the second song of a short early-afternoon set: “Reap the Wild Wind,” “Dancing with Tears in My Eyes,” “One Small Day” and “Vienna.” Midge Ure was not only the singer. He had co-organised the concert with Bob Geldof. The band usually took five hours to soundcheck and carried 25 or 26 synthesizers. At Wembley there was no soundcheck so they chose the simplest songs they could play with the least equipment. Ure later said their heads were not full of the size of the audience or the television audience. They were worried the gear would not work.
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En 1986, un bajista decidió tocar su instrumento como si fuera una batería de percusión. Sobre ese groove frenético y matemático, construyó una de las melodías más melancólicas y adictivas de la década. Lo que lograron con esa tensión es pura magia...
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“Don’t Go” was written by Vince Clarke for Yazoo’s debut album, Upstairs at Eric’s (1982). After leaving Depeche Mode, Clarke answered an ad from Alison Moyet, a blues and soul singer from Basildon, and the two formed the duo. In the United States and Canada they were billed as Yaz, because another act already had the name Yazoo. Released on 5 July 1982 as the second single, after “Only You,” it reached No. 3 on the UK Singles Chart, No. 1 in Belgium and Iceland, and No. 1 on the US Dance chart. The album took its name from the upstairs room at producer Eric Radcliffe’s studio. The partnership was already over by the time the second album, You and Me Both, reached No. 1 in 1983.
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En 1982, un exmiembro de Depeche Mode se unió a una cantante de blues que nadie esperaba en el pop. En el Reino Unido, la canción fue un simple lado B. Pero en Nueva York, un DJ legendario la remezcló y encendió las pistas de baile de medio mundo. Lo que Alison Moyet hizo con su voz sobre esos sintetizadores fríos cambió la electrónica para siempre...
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Javier Pinés retweeted
Fact
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“Just Can't Get Enough” was written by Vince Clarke and became one of the defining songs of Depeche Mode's early synth-pop era. Released in September 1981, the song was recorded at Blackwing Studios in London and became the band's first Top 10 hit on the UK Singles Chart, peaking at No. 8. This particular performance comes from the BBC children's programme Multi-Coloured Swap Shop, featuring the band's original four-member lineup: Dave Gahan, Martin Gore, Andy Fletcher and Vince Clarke. The song was also the final Depeche Mode single written by Clarke, who left the band later that month. Just a few weeks after this Swap Shop appearance, Clarke's final performance with Depeche Mode took place on December 3, 1981.
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Replying to @sagastiker
@sagastiker para el Próximo partido de los Rams que martes!!!!
The Los Angeles Rams made this music video "Let's Ram It!" during the 1985 season, with the video being released & promoted in 1986.
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Que martes quería decir…
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Javier Pinés retweeted
written by Vince Clarke before his early departure form the band, and sung by a Dave Gahan looking like he's come straight from his High School prom 😁 Depeche Mode - New Life (Sweden 1982) ▶️
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Javier Pinés retweeted
Depeche Mode - Stripped
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Javier Pinés retweeted
OMG I can hear the early morning bugle ❤️😱 #salzburgsurvivor great find @SergietoGM
GP 500 Austria 1984. Sito Pons comenta como es una vuelta.
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Javier Pinés retweeted
Il y a 41 ans, le 16 septembre 1985, précédé du single "Running Up That Hill", paraissait l'album "Hounds of Love" de Kate Bush, qui se classera directement à la place de numéro 1 au Royaume-Uni (At Peter's Pop Show - Novembre 1985)
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First trailer for 'MR. IRRELEVANT', a film based on the inspiring true story of John Tuggle, the last player selected in the last round of the 1983 NFL Draft by the NY Giants. Starring David Corenswet as John Tuggle & Michael Shannon as Bill Parcells. In theaters December 25th.
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Javier Pinés retweeted
Pure pure humor. Well, one political joke but rest is old people jokes like me. Lol
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