The first gulp from the glass of natural sciences will make you an atheist, but at the bottom of the glass God is waiting for you
Joined May 2026
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I have an issue with the following,
There seems to be a deliberate confusion created amongst subscribers with premium regarding ad placements during shows or podcasts.
It has come to my attention that since you guys increased the price of premium in Europe, in my case via @KPN the Telecom provider through which i am subbed. They quietly agreed with you guys to up the price of my subcription (which i dont mind that much in all honesty). the inclusion of ads in my premium sub does bother me.
A couple of days ago i was watching a podcast of 3+ hours and in the middle where ads, localized ads. First i waved it off as a bug, because after a reboot of my device i didnt encounter them, untill two days ago.
The ads become more intrusive. I know of the existence of ads from creators, lets say betterhelp or manscaped, by the creators themselves, i get that. BUT LOCALIZED ADVERTS?!? For totally unrelated things, seconds. That wasnt the only bad thing, the entire app started to lose track of what was being played. Resulting in the app to force close. To only start the episode again with a goddamn ad, to add insult to injury, it placed me back 30 mins, and to play the ads in other spots.
Then i booted up another one yesterday. THE CREATORS ADS AND YOURS came across, NEXT TO EACHOTHER, like followups.
Which pissed me off even more. Today i wake up, to recieve an email from KPN, informing me the subscription price went up. So one and one equals two, the terms have changed somewhere.
When i go onto forums or support. They inform me of the baked in creator-commercials. So yall are deliberately clouding the information regarding the ad placement - creator-your free tier ads- OR it is a true cosmic coincidence that every bug aligned. But man is it weird and frustrating
Never in my 12 years of being a sub, have i encountered such weird stuff with your services and products.
My device is a @XBOX series X
My sub is KPN- Spotify
I dont know who is the problemo here. But i dont pay premium for that nonsense. Please help🫶
Sainto Mussegusto retweeted
🚨: Medical scientists in France unveiled an artificial heart that can beat forever, without the need for a donor.
Sainto Mussegusto retweeted
#hermanvanveen #trump #politiek
Hij heeft gelijk, politiek is zakelijk. Neem een voorbeeld aan Jette, doet zich voor als een onschuldige clown en ondertussen trekt hij letterlijk onze zakken leeg.
Sainto Mussegusto retweeted
minha mãe compro um lavagatos
pra um gato que ela nem queria em casa
KKKKKKKLLKL
Sainto Mussegusto retweeted
Het schijnt dat bewoners van Kamp Ter Apel met pepperspray lopen en vervolgens burgers daarmee belagen en beroven.
Wij burgers mogen dit niet bij ons hebben,=.
Vraag aan @POL_Groningen ...wat doen jullie hier mee?
Sainto Mussegusto retweeted
This scene where Trey Parker breaks the mic with his screaming always pops up in my head time to time.
I genuinely miss when Eric sounded like such a little shit.
Sainto Mussegusto retweeted
De overheid bepaalt de waarde van grond. Peak communism.
Hoge grondprijzen werken woningbouw tegen.
Daarom gaan we grond realistischer waarderen en worden de kosten die gemeenten maken voor publieke voorzieningen eerder meegenomen in de inbrengwaarde van de grond.
Zo kunnen we woningzoekenden sneller helpen.
rijksoverheid.nl/actueel/nie…
Sainto Mussegusto retweeted
Ridley Scott in Alien (1979) and Michael Bay in Transformers proved you can put anything on camera—a 7-foot monster or a broken prop—and audiences will completely miss it if you control where their eyes go.
In Revenge of the Fallen, a 22-year-old Megan Fox leans over a motorcycle with an airbrush that isn't even plugged in. There’s no compressor hose, no mist, and zero paint hitting the metal. Bay noticed the error in the edit, shrugged, and kept it in anyway. He knew where everyone was looking.
Thirty years earlier, Ridley Scott turned that exact psychological trick into pure terror.
When Sigourney Weaver’s Ripley strips down in the escape shuttle, audiences are locked onto her relief and vulnerability. Inches away from her head, the Xenomorph is wedged directly into the wall panels, its ribbed limbs disguised as ship pipes and exhaust tubing.
Bay used visual bait to hide an embarrassing continuity blunder; Scott used it to hide an apex predator in plain sight.
