Réalisateur (UBERLINKS visible sur @OCSTV) Scénariste (QUAND ON CRIE AU LOUP, LES PASSAGERS, STAR WARS ECLIPSE) Auteur (MICHAEL BAY chez @AardvarkEds)
Joined February 2012
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- Following351
- Followers2.3K
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Robert Hospyan retweeted
On s'en fout de savoir s'il l'a prise ou s'il l'a reçu sur la main : les policiers n'ont pas à utiliser des armes de guerre contre des enfants. Point.
Le lycéen qui a eu la main arrachée à Lens s'est penché vers la grenade, tombée au sol, selon une vidéo
➡️ l.ici.fr/KuMP
Robert Hospyan retweeted
Je considère sincèrement le dernier plan de ce gif comme une oeuvre d'art kinétique. Le choix du décor, du placement de la caméra, de son mouvement, les reflets sur le monument au pied des deux tours du WTC... On est dans l'expressionnisme bayien le plus pur.
Robert Hospyan retweeted
I got a ticket for the Final Director’s Cut of MIAMI VICE. I will walk out of the theater if Mann cuts Jamie Foxx pretending to prematurely ejaculate!
Robert Hospyan retweeted
I love the pointed inclusion here of the incredible opening to the theatrical cut, which is *not* the opening to the existing director’s cut, in one of the worst choices that a director’s cut has ever made.
Robert Hospyan retweeted
being prescriptive over production methods is silly –– let filmmakers do their thing!
Robert Hospyan retweeted
Scott's been shooting with a bunch of cameras for decades now ––including THE MARTIAN and THE LAST DUEL –– to accelerate production. He's doubled down in his age, but his output has always been wildly uneven; the fun is never knowing which project will be the next Ridley heater.
Robert Hospyan retweeted
it's been sad to see so many people shade Scott using a bunch of cameras as hack behavior when he's actually just channeling the late Tony Scott's production style, who used so many cameras that Denzel called him "nine-camera Tony"
Robert Hospyan retweeted
The Color Purple (1985)
A.I. Artificial Intelligence (2001)
War of the Worlds (2005)
Ready Player One (2018)
🟪 #spielbergframes
Robert Hospyan retweeted
Is this some sort of reverse make-a-wish deal where dying celebrities hang out with healthy children.
Robert Hospyan retweeted
His movies are full of jokes but no one at the Trinity test in OPPENHEIMER turned towards the camera and said “So, *that* just happened” so I can see where the confusion is coming from
Robert Hospyan retweeted
besides the fact the bad guys are a credibly good distance from O'Connor, reactions are making me realize if RAIDERS came out today a lot of you would cinema sins it to oblivion, the movie where Indiana Jones found the Ark in a Nazi camp that conveniently had no guards
Robert Hospyan retweeted
The first person killed on screen in this story about how refusing to treat others with respect destroys the world entire is a trans man.
A woman of colour is used as a pawn to start a war. And her twin’s daughter is sacrificed to fuel it.
Very central to what the film is.
Robert Hospyan retweeted
Quand Hamza, 14 ans, fait le con au pistolet à eau, on découvre soudain la fin de la civilisation.
Quand un ado “bon élève”, collège privé, famille connue, reconnaît un meurtre, silence relatif. On cherche à comprendre.
Ce n’est pas de la justice. C’est du casting.
Robert Hospyan retweeted
This man was the translator for the film
festival we both attended and he is exceptionally kind and respectful, he needs to be close by to translate discretely — she’s fine I promise.
a cara de desconforto da kristen stewart com a proximidade desse homem... dá agonia só de olhar
Readers added context they thought people might want to know
O homem é um tradutor e apresentador conhecido de Kristen Stewart no Festival de Deauville, aproximando-se para traduzir do francês ao inglês. x.com/MehdiOmais/sta… instagram.com/p/DOqhFldjDV6/
Robert Hospyan retweeted
As someone noted, when you even have influencers with DC gift bags slagging the movie, there's a problem with your movie.
I went into this movie hyped and incredibly optimistic, but unfortunately, it just fell flat. I really tried to get invested, but the plot, the villain, and the pacing just couldn't reel me in.
The bright spots are definitely the performances. Milly Alcock does a fantastic job as Supergirl, and the action scenes where she’s kicking ass are awesome. Jason Momoa is also great as Lobo, but he is massively underutilized. The movie completely misses the chance to showcase his cool powers. Instead of giving us more Lobo, we get stuck with a generic, "no name brand" main villain who lacks any real presence.
The plot itself is incredibly frustrating and feels completely unneeded. The entire stakes rest on Krypto fighting for his life while needing an antidote that the villain is wearing around his neck. Supergirl has multiple opportunities to just grab it and blast off, but instead, the movie forces her to prolong the fight and save a random, powerless character that you just can’t bring yourself to care about. Because Supergirl easily packs up the villain and his cronies anyway, watching her choose not to just take the antidote is maddening.
Visually, the CGI is pretty rough around the edges at times, though it's easy enough to look past. Fans should also know that Supergirl barely wears her iconic outfit until late in the film. Superman does make a few appearances, which is a nice touch, but he rightly isn't the focus.
Ultimately, the writing feels incredibly off, and it makes complete sense when you realize James Gunn didn't write this one. Coming off Superman, this feels like a forced, forgettable bridge movie just meant to explain why Supergirl is working with her cousin in Superman: Man of Tomorrow. It’s a flat 5/10 or a 2.5 out of 5. #Supergirl
