
Student of Math, Music, Programming, Language and Life (pick any two). @atomicity@mas.to he/him
London, England
Joined September 2009
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Gašper Ažman 🌻 retweeted
I attempted to document Aberrant Plexus, the point at which the Institute for Psychogametous Life escaped the page and occupied 2 storeys in East London.
12 years to imagine. 1 year to produce. 10 days to build. Alien larvae, responsive xenomycelium, fungal transmissions, tattoo pollination, compromised containment, and nearly 300 people through the Institute on its first night.
The first testing window overview is here: zoeticaebb.com/chronicle/202…
Gašper Ažman 🌻 retweeted
Chimeric Herbarium stock is dwindling. After several years of inflation, I’ll be raising the price to £120 next week. This is a signed, numbered, large-format artist’s book in an edition of 300. There will be no reprint. Once the remaining copies are gone, they’re gone. Ships worldwide. zoeticaebb.com/shop/chimeric…
Gašper Ažman 🌻 retweeted
Works in Operation – Interlocution and Acentric Reception at Xenopoem Conference 2026
On art that acts before explanation, interlocution as live continuation, damaged transmission, and how an online conference became an apparatus for emergence. tinyurl.com/WorksInOperation
Gašper Ažman 🌻 retweeted
"A Kink in Cognition" introduces acentrism as a theoretical and practical departure from human-centred models of art, perception, and interpretation. Its method is parallel signal literacy: the capacity to sustain attention across co-present signal systems without reducing them to a single interpretive order.
academia.edu/167376551/A_Kin…
Gašper Ažman 🌻 retweeted
A Kink in Cognition: Acentrism, Parallel Signal Literacy, and Xenopoetic Practice
academia.edu/167376551/A_Kin… via @academia
Gašper Ažman 🌻 retweeted
Interlocution gives Xenopoem Conference its second movement, where the work is carried further under pressure after presentation. This year’s interlocutors bring a rare range of knowledge and modes of attention to that task, spanning literary theory, experimental writing, posthuman philosophy, neuroscience, molecular biology, editorial work, and more-than-human literature. Each has been invited because we believe they can meet the work with precision, force, and openness. We are proud to welcome them to Xenopoem Conference: xenopoem.com/log/xenopoem-co…
Gašper Ažman 🌻 retweeted
Xenopoem Conference is an experimental transmodal platform for works that alter perception and open contact with signals and processes beyond the familiar human frame. It brings together practices already active at those limits while remaining open to stranger forms still coming into view. We are very glad to welcome this year’s presenters to Xenopoem Conference: xenopoem.com/log/2026-presen…
Gašper Ažman 🌻 retweeted
There are just 3 days left to apply to Xenopoem Conference 2026. Submit your work before it stabilises: xenopoem.com/apply
Gašper Ažman 🌻 retweeted
Cryptobiosphere opens today - an evolving biome of drifting images and ever-reconfiguring sound.
My voice moves through @SiratoriKenji's generative instruments like a conversation in two tongues while slower processes run beneath the surface, indifferent to intention. In a snow-dominant future, we trace endurance, latency, and suspension.
See you at Tenjinyama Studio in Sapporo!
Gašper Ažman 🌻 retweeted
If curiosity outweighs caution and you truly wish to know what’s been incubating, seek Doctor Taka on site, that will be your final chance for answers before deactivation.
Containment ends at closing. ra.co/events/2318130
Gašper Ažman 🌻 retweeted
ABERRANT PLEXUS reception 20 Nov 2025 / 6–11 PM
The Institute for Psychogametous Life (IPGL) opens its containment field to the public – a living laboratory where unstable architectures and alien systems begin to bloom. Event details: zoeticaebb.com/events/2025/1…
#AberrantPlexus
Gašper Ažman 🌻 retweeted
Phase zero. The story of the #AberrantPlexus xenomycelial breach at IPGL unfolds at @dif_fractions // Start here: bit.ly/4pWZOSw // Stay tuned.
Gašper Ažman 🌻 retweeted
I find it intriguing how stumped I am by @zoetica’s recent works and collaborations.
I simply do not understand, and it does not remind me of anything else I have seen before.
Kudos to all involved! Terra nova
nitter.gq/KenjiSiratori/status/1…
Gašper Ažman 🌻 retweeted
The British public is urging the transfer of Warrior IFVs to Ukraine, with a formal petition already submitted. The UK military currently operates 359, and are gradually phased out. While 80 are set for disposal, the fate of the remaining 279 is undecided
petition.parliament.uk/petit…
Gašper Ažman 🌻 retweeted
When I finished arts high school, I had to choose: art university or medical school. What seemed like a choice between art and psychology didn't quite turn out to be the choice I thought it was.
Gašper Ažman 🌻 retweeted
I can't talk too much about my November exhibition yet, but here is exciting, if unrelated, news: after trying a few intensive butoh workshops, I'm starting weekly ones in June. More of a personal project than a commercial one.
Photos from a butoh-inspired performance with @clintcatalyst and live music by Paris Sadonis at the Dark Arts Festival - long ago, far away, brazen butoh without formal training. Better late than never.
Gašper Ažman 🌻 retweeted
My current project is largely conceptual, with many moving practical parts. It will culminate in November, so I'm grateful to have the visual outlet of photography to play with meanwhile. Here is another from my shoot with #MutsumiNeiro at @abneyparkn16 🪦🌱💖
Gašper Ažman 🌻 retweeted
Materials/industrial supplies assistance request: I need leads on large, clear acetate sheets, sized around 2×2m. Rolls are fine, and this doesn't have to be UK-based. Please DM if you possess the knowledge.
RT @zoetica: My contributor’s copy of Xenobacillus glossophagii by @KenjiSiratori - a disruptive inquest on microbial language, trauma, and…





















