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BFE

@bfeadmin

The BFE aims to advance the study, practice, documentation, preservation and dissemination of music and dance from all parts of the world.

bfe.org.uk
Joined January 2017
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How can creative practice bridge the divide? Researchers and artists join their forces and share their insights into ‘(In)Visible Publics: Performing (Non-)Belonging’. Join the UCD School of Music Online Conference. shorturl.at/R4AlC
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Reminder: the deadline for proposals for the BFE & RMA Research Students' Conference at Aberdeen (9-11 January 2025) is coming up soon - please share! rma.ac.uk/2024/07/08/call-fo…
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MusicHE’s statement on University of Kent’s decision to close their music department. @UniKent @UniKent_Music @UniKentArts #musiceducation #music #musiche #highereducation #he
Image from MusicHE (@MusicHigherEd)
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Delighted to announce our CFP for a special issue on Musicology on Screen edited by Estrella Sendra, Barley Norton and Joseph Owen Jackson screenworks.org.uk/call-for-… Deadline: 1 February for July 2022 publication
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Call for Copyediting Pool, Ethnomusicology Forum bfe.org.uk/news/call-copyedi… via @bfeadmin bfe.org.uk/news/call-copyedi…
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Opening of the RMA BFE Research Students’ Conference! @OUMusic @bfeadmin #BFERMA2020
Image from RMA (@royalmusical)
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British Forum for #Ethnomusicology conference on now! The Diamond = sweet venue. #BFESheffield17 @sheffielduni
Image from Dr. Colin P. McGuire (@drcpmcg)
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Love this @S_DouglasCamp at the entrance to the @SOAS @Brunei Gallery excellent #soas100 exhibition
Image from Valerie Amos (@ValerieAmos)
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It's all kicking off here @tuosmusic ! Great to see so many people here for the Digital Folk conference.. nitter.gq/research_artist/status…
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Rejuvenating and inspiring three days of #rsc2017! Well done to all presenters and performers.
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On the snail train back to the provinces. Massively enjoyed #rsc2017 gonna be a tough act to follow next year!
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Prof. Anna Morcom's keynote about to start, can she drink all that water in an hour!!?!?
Image from BFE/RMA RSC 2017 (@rsc2017)
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What is knowledge and how can it be transmitted? #rsc2017
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Whose voices do we get to hear, and on whose terms? #rsc2017
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Performance and preparing performance IS research--something not necessarily acknowleged in traditional Musicology #rsc2017
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