Future of Storytelling @TouchResponse_ • immersive • film • creative tech • prev @NYTimesRD , @Apple Special Projects Group

New York, NY
Joined July 2017
Replying to @NYTimesRD
@NYTimesRD just published an article on our process for #worldcup2022qatar immersive articles -- using ICON to generate 3D captures which are then stylized and edited in the web, with an internal platform based off of @theatre_js and @threejs. Check out the piece below :
We used machine learning to quickly recreate key moments from the World Cup in 3D using just a single photograph. Read about our process: rd.nytimes.com/projects/mode…
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Chloé Desaulles retweeted
"It's instinct but actually for work" for Instinct & Muse, work and compliance was an afterthought; that's why we built Ace. Ace has its own computer, email, phone number, and logins. You onboard it like a new hire and it just gets work done.
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What happens when AI, gaussian splatting, and analog sets collide? I shot, directed, edited & animated a music video exploring grief in liminal spaces between physical + digital AI can be used to expand textures, narratives & experiences into new visual & emotional territory🫦
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Chloé Desaulles retweeted
websites should look like this
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Wrote a piece about the complexity of loving my mama for @bylinebyline 🤍
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Made some custom audio reactive visuals for @iamluckydaye 's 'SOFT' ♡
“Soft” Live Performance is out now! You can also preorder the album today. Available on 6/28! 🍀
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How can code change the meaning of video? What does it mean to find, gather and recompose online video with code in the current moment? Some things learned and made in our new Infinite Video class led by @sam_lavigne w/ @theilonabrand @jwyg ✄ sfpc.study/blog/video-with-c…
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Late to sharing these live performance visuals I made for @iamluckydaye's new song Hericane, inspired by sfumato oil painting techniques but executed entirely via digital layering 🤍
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Chloé Desaulles retweeted
“A medida de que el mundo se vuelve cada vez más digital, las redacciones de medios de comunicación van a tener que llegar a donde estén los lectores”
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Had the privilege of speaking to @rtve and their internal lab @lab_rtvees on the future of visual journalism and the work our team did on wearable devices at @NYTimesRD :-)
Hace unos meses, Apple anunciaba sus nuevas gafas de realidad aumentada. Y aunque todavía quedan muchos años para que se puedan comprar en todo el mundo, nos preguntamos… ¿Deberíamos empezar a crear contenido para AR? 👀
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Chloé Desaulles retweeted
✨BEHOLD✨the world's biggest* googly eye on the world's biggest* #robot cc @golan *probably
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Chloé Desaulles retweeted
This is the oldest video I was able to use -- A 1899 (!!!) video from Edison crossing the Brooklyn Bridge [4/12]
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Spent dec 2022 researching #NeRF s built from archival footage at @NYTimesRD for circumstances in which you can't control the quality of your recordings. Here are some of my favorite captures and notes on the different variables I encountered (excluding the very messy) [1/12]
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Also enjoyed thinking about the method of capture : In this ex the NeRF was rendered with a gopro + squirrel suit. The footage was too quick w restricted FoV to generate anything clear, but the access to these spaces w these tools is interesting/new [12/12]
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Used @LumaLabsAI & @nerfstudioteam for most of my explorations. The End :-)
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