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๐ŸŒˆAlly, ์ง€๊ตฌ์— ์Šน์„ ํ•œ ์šฐ์ฃผ ์—ฌํ–‰์ž. ๋ถ„์„์„ ์ด์–ด ๋งฅ๋ฝ์„ ๋งŒ๋“ค๊ณ , ๋งฅ๋ฝ์„ ์ด์–ด ์ด์•ผ๊ธฐ๋ฅผ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด ํƒ€๋ž˜๋ฅผ ๋งŽ์ด ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค. ํƒ€๋ž˜๋ฅผ ๋ณด์‹ค ๋•Œ๋Š” ๋‚ ์งœ๋ฅผ ํ™•์ธํ•ด์ฃผ์„ธ์š”. 10๋…„ ๋„˜์€ ํƒ€๋ž˜๋„ ๋งŽ์Šต๋‹ˆ๋‹ค. ๋ธ”์–ธ๋ธ” ํ–ˆ์—ˆ๋Š”๋ฐ ์ œ๊ฐ€ ๋˜ ํŒ”๋กœ์šฐ ํ–ˆ๋‹ค๋ฉด ์ฃ„์†กํ•ฉ๋‹ˆ๋‹ค.

MA
Joined February 2009
Photo by Won Dong (@fkiller)Photo by Won Dong (@fkiller)Photo by Won Dong (@fkiller)Photo by Won Dong (@fkiller)Photo by Won Dong (@fkiller)Photo by Won Dong (@fkiller)Photo by Won Dong (@fkiller)Photo by Won Dong (@fkiller)Photo by Won Dong (@fkiller)Photo by Won Dong (@fkiller)
ใ€Œใ‚ทใƒงใƒผใƒณใƒปใ‚ชใƒ–ใƒปใ‚ถใƒปใƒ‡ใƒƒใƒ‰ใ€ใ€Œใƒ™ใ‚คใƒ“ใƒผใƒปใƒ‰ใƒฉใ‚คใƒใƒผใ€ใ€Œใƒฉใƒณใƒ‹ใƒณใ‚ฐใƒปใƒžใƒณใ€ใฎใ‚จใƒ‰ใ‚ฌใƒผใƒปใƒฉใ‚คใƒˆใŒ็›ฃ็ฃใ—ใŸApple PayใฎCMใ€‚ๅ…จไธ–็•Œใใฃใฆใฎๆ˜ ็”ป็‹‚ใงใ‚ใ‚‹ใƒฉใ‚คใƒˆ็›ฃ็ฃใŒ้ฆ™ๆธฏใ‚ขใ‚ฏใ‚ทใƒงใƒณๆ˜ ็”ปโ€•ใจใ‚Šใ‚ใ‘ใ‚ธใƒฃใƒƒใ‚ญใƒผใƒปใƒใ‚งใƒณโ€•ใซใ‚ชใƒžใƒผใ‚ธใƒฅใ‚’ๆงใ’ใŸใ€1ๅˆ†ๅฐบใฎๅคงๆดปๅЇใ€‚
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A live jazz night in ancient Rome, where every sound comes out of a physically simulated body. No samples, no synthesizers: only air, flesh and brass. The crowd is still buzzing when the MC walks out: "Good evening, Rome!" He brings the band on one by one, and each player answers with a lick. Brutus plays bass sitting down, so the chair rattles along with him. Nero drums with nothing but a bare sphincter. Maximus has a slide trombone and Octavius a saxophone, both plugged in where a mouthpiece would never normally go. The camera cuts in close to show how it works: the rectum is the air supply, the sphincter does the job of a trumpet player's lips, and the horn takes it from there. Then Signora Flatula counts it in ("Five, six, seven, eight!") and the band tears into "When the Saints Go Marching In". She sings the first chorus, the sax takes a solo while the whole amphitheatre claps along on two and four without using its hands, and by the last chorus everyone is singing: the band and the crowd. It ends the way a concert should, with a held chord, a drum roll and a standing ovation. Nobody uses their hands for that either.
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My contribution, telling Claude to add new consonants/aspirations/nasalizing to the engine and iterating in a loop with a SenseVoice ASR evaluation. Learning Mandarin by watching a robot vocalize Tong Hua to a karaoke track was not on my 2026 bingo card
my vocal synth models the vocal tract as a network of branching acoustic tubes, unlike vocaloid which stitches together and pitch-shifts phoneme recordings. still working on improving naturalness by tuning it against recordings of real singers, but I'm already impressed at how cool it sounds!
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What do you know about real music
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็…™็ชใ‹ใ‚‰็™บๅฐ„ใ™ใ‚‹ไบบ้–“ใ‚ซใ‚ฟใƒ‘ใƒซใƒˆ๐Ÿš€
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When rubber meets the road, we have to get creative to ensure our robots will be reliable and performant outside of the lab! Putting wheels on Atlas let us test how faithfully an RL whole-body controller can work with real actuators running at the edge. Learn more about this experiment: bostondynamics.com/blog/atlaโ€ฆ Join our team: bostondynamics.com/careers/
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๐ŸŽถ I hurt myself today ๐ŸŽถ
my vocal synth models the vocal tract as a network of branching acoustic tubes, unlike vocaloid which stitches together and pitch-shifts phoneme recordings. still working on improving naturalness by tuning it against recordings of real singers, but I'm already impressed at how cool it sounds!
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๊น€๋™๋ฅ ์˜ Monologue '์‚ฌ๋ž‘์ด ์•„๋‹ˆ๋ผ ๋งํ•˜์ง€ ๋ง์•„์š”' ๋ฌด์—‡์œผ๋กœ๋„ ๋Œ€์ฒดํ•  ์ˆ˜ ์—†๋Š” ๊ทธ๋…€์˜ ๋ชฉ์†Œ๋ฆฌ๋กœ ์ฒ˜์Œ ์ด ๋ฉœ๋กœ๋””๋ฅผ ๋“ค์„ ๋•Œ์˜ ์ „์œจ์ด ๊ธฐ์–ต๋‚ฉ๋‹ˆ๋‹ค. ํ•˜๋ฃจ ํ•˜๋ฃจ ์ถฉ๊ฒฉ์ ์ธ ๋‰ด์Šค๋“ค๋กœ ๊ฐ€์Šด์ด ๋‹ต๋‹ตํ•˜๊ณ  ๋ฌด๊ฑฐ์šด ๋ถ„๋“ค์—๊ฒŒ ์กฐ๊ธˆ์ด๋ผ๋„ ์œ„์•ˆ์ด ๋˜์—ˆ์œผ๋ฉด ํ•ฉ๋‹ˆ๋‹ค.
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Won Dong retweeted
๐Ÿšจ๐Ÿ‡ฒ๐Ÿ‡ฝ BREAKING โ€” Sheinbaum on neoliberalism: โ€œThe people were abandoned, forgotten. Major infrastructure projects were forgotten. A few elites privatized the public Poverty and inequality grew. 36 years of what we call Mexico's Neoliberal Periodโ€
๐Ÿšจ๐Ÿ‡ฒ๐Ÿ‡ฝ BREAKING โ€” Claudia Sheinbaum: โ€œBe part of history. Do not watch it pass your window. Be part of this enormous transformation our country is experiencing. And if you see injustice, raise your voice.โ€
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Won Dong retweeted
๋‚ด ์žก ์ปค๋ฆฌ์–ด ๋‚ด๋‚ด ๊ฐ€์žฅ ์ž˜ ํ•˜๋Š” ๊ฒƒ ์ค‘ ํ•˜๋‚˜๋Š” ๋ฉ”๊ฐ€ ํ”„๋กœ์ ํŠธ ์ดˆ๋ฐ˜์— ์ปจ์„คํŒ… ํŽŒ์ด ๋ฐ‘๋ฐฅ ๊นŒ๋Š”๋ฐ ์žฌ ๋ฟŒ๋ฆฌ๊ธฐ..
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After optimizing a patterning process in R&D, chipmakers use holistic lithography to keep it stable as production scales. Continuous monitoring and adjustments maintain accuracy so they can reach cost-effective volume manufacturing faster.
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Lessons from the recent oil price spike 1. This wasn't about oil supply (which has normalized) 2. It also wasn't about higher shipping costs 3. It wasn't about China buying more oil 4. It wasn't about restocking inventories 5. It was just a risk premium robinjbrooks.substack.com/p/โ€ฆ
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In an abandoned Japanese elementary school, artist Yuka Numata resurrects the ghosts of childhood through bead sculptures.
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opus5.5 used this as an opportunity to drop a new single. of course it explains how it all works (2:22 is the best) all sounds and video by opus 5.5 (nyquist). chimera synth from @jamesonhodge
I only make serious software
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ํŒŒ๋ฒ„์นด์Šคํ…” ์•Œ๋ฒ„ํŠธ๋’ค๋Ÿฌ ์ด๋†ˆ์€ ์–ผ๋งˆ๋‚˜ ๋น„์‹ธ๋ƒ๋ฉด ๋‚ด๊ฐ€ ๊นŽ์€ ์‹ฌ๋„ ์ ˆ๋Œ€ ์•ˆ ๋ฒ„๋ฆฌ๊ณ  ํ•˜๋‚˜ํ•˜๋‚˜ ํ†ต์— ๋‹ค ๋ชจ์•„๋†“์Œ (์ €๊ธฐ์— ๋ฌผ ํƒ€๋ฉด ๋ฌผ๊ฐ์ฒ˜๋Ÿผ ์“ธ ์ˆ˜ ์žˆ์Œ) ์ฆ๋งฌ ์น˜๋–จ๋ฆฌ๊ฒŒ ๋น„์‹ผ๋ฐ ๋„ˆ๋ฌด ์ข‹๊ธดํ•จ
์•„์ฐธ ์œ ์„ฑ์ƒ‰์—ฐํ•„ 2๋Œ€ ์ง€์กด ํ”„๋ฆฌ์ฆˆ๋งˆ/ ํด๋ฆฌํฌ๋กœ๋ชจ์Šค ์ฐจ์ด์  *ํ”„๋ฆฌ์ฆˆ๋งˆ/ ์ƒ๋Œ€์  ์ €๋ ด(๋‹น๊ทผ ๋งค๋ฌผ ๋งŽ์Œ)/ ์˜ค์ผ์ด ๋งŽ๊ณ  ๋ถ€๋“œ๋Ÿฌ์›€/ ์ƒ‰๊น” ๋” ๋งŽ์Œ/ ์ƒ‰์—ฐํ•„ ์ฐŒ๊บผ๊ธฐ ๋‚˜์˜ด/ ๋น„๋น„๋“œํ•œ ์ผ๋Ÿฌ์ŠคํŠธ์— ๋” ์ ์ ˆ /์—ฐํ•„๊นŽ๊ธฐ ์ถ”์ฒœx (์ž˜ ๋ถ€๋Ÿฌ์ง. ์†์œผ๋กœ ์„ฌ์„ธํ•˜๊ฒŒ ๊นŽ์•„์•ผ๋จ) *ํŒŒ๋ฒ„์นด์Šคํ…” ํด๋ฆฌํฌ๋กœ๋ชจ์Šค/ ๋น„์Œˆ(์ค‘๊ณ ๋งค๋ฌผx)/ ์˜ค์ผ์ด ์ ๊ณ  ์‹ฌ์ด ๋‹จ๋‹จํ•จ/ ์ƒ‰๊น” ๊ฒน์ณ์Œ“๊ธฐ์— ์œ ๋ฆฌ/ ํŒ”์— ํž˜์ด ๋” ํ•„์š”ํ•จ/ ์‹๋ฌผ์„ธ๋ฐ€ํ™” ๋“ฑ ์ƒ‰๊น”์„ ์•„์ฃผ ์˜…๊ฒŒ ๊น”๋•Œ ๋” ์„ฌ์„ธํžˆ ๊น”๋ฆผ *์ƒ‰์—ฐํ•„ ๋ชจ๋ธ๋งˆ๋‹ค ๊ตฌํ˜„๋˜๋Š” ์ปฌ๋Ÿฌ๊ฐ€ ์กฐ๊ธˆ์”ฉ ๋‹ฌ๋ผ์„œ ์–ด๋–ค ์ƒ‰์€ ํ”„๋ฆฌ์ฆˆ๋งˆ๋‚˜ ํŒŒ๋ฒ„์—๋งŒ ์žˆ๋Š” ๊ฒฝ์šฐ ์žˆ์Œ (์˜ˆ: ํ”„๋ฆฌ์ฆˆ๋งˆ์˜ ๊ทธ๋ ˆ์ด ๋ผ๋ฒค๋”) *์˜์™ธ๋กœ ๋ณ„๋กœ์ธ ์ƒ‰์—ฐํ•„: ํ†ฐ๋ณด์šฐ, ์Šคํ…Œ๋“ค๋Ÿฌ *๋Œ€๋†“๊ณ  ๋ณ„๋กœ์ธ ์ƒ์—ฐํ•„: ๋‹ค์ด์†Œ ์ƒ‰์—ฐํ•„(์•„๋ฌด๋ฆฌ ์‹ธ๋„ ๊ทธ๋ ‡์ง€ ์—ฐํ•„ ๊นŽ๋‹ค๊ฐ€ ์„ฑ๊ฒฉ๋ฒ„๋ฆฌ๋‹ˆ๊นŒ ์ฐจ๋ผ๋ฆฌ ์• ๊ธฐ๋ณดํ˜ธ์ž๋“ค์ด ์‹ผ ๊ฐ’์— ๋‚ด๋†“๋Š” ๋นจ๊ฐ„ํ†ต ์ค‘๊ณ ๋กœ ์‚ฌ๋Š”๊ฒŒ ๋‚˜์Œ) *์‹ผ๋ฐ ์˜์™ธ๋กœ ๊ดœ์ฐฎ์€ ์ƒ‰์—ฐํ•„: ๋งˆํŒจ๋“œ ์ปฌ๋ŸฌํŽฉ์Šค (์ŠคํŠธ๋กฑ์€ ๋ณ„๋กœ), ์ง€๊ตฌํ™”ํ•™, ํŒŒ๋ฒ„์นด์Šคํ…” ๋นจ๊ฐ„ํ†ต *์ˆ˜์„ฑ์ƒ‰์—ฐํ•„์€ ๋ˆ ๋งŽ๊ฑฐ๋‚˜ ๊ทธ๋ฆผ์ด ์ง์—…์ด๊ฑฐ๋‚˜ ๋‹ค๋ฅธ ๋ชจ๋“  ์ˆ˜์„ฑ์ƒ‰์—ฐํ•„์— ๋งŒ์กฑ ๋ชปํ•ด์„œ ์ŠคํŠธ๋ ˆ์Šค ๋ฐ›์œผ๋ฉด ํŒŒ๋ฒ„์นด์Šคํ…” ์•Œ๋ฒ„ํŠธ๋’ค๋Ÿฌ(๊ฐ€๊ฒฉ ์ €์„ธ์ƒ), ์•„๋‹ˆ๋ฉด ํŒŒ๋ฒ„์นด์Šคํ…” ๋นจ๊ฐ„ํ†ต๋„ ๊ดœ์ถ˜. ์‚ฌ์‹ค ์•Œ๋ฒ„ํŠธ๋’ค๋Ÿฌ ๋ฐ‘์œผ๋กœ๋Š” ๋‹ค ๋น„์Šทํ•จ. ์ˆ˜์„ฑ์ƒ‰์—ฐํ•„์ด ๋Œ€์ค‘ ์„ ํ˜ธ๋„๊ฐ€ ๋†’์•„์„œ ๊ทธ๋Ÿฐ์ง€ ์ €๋ ด์ด๋“ค๋„ ๊ธฐ์ˆ ๋ ฅ์ด ์ƒ๋‹นํžˆ ์˜ฌ๋ผ์˜จ ์ƒํƒœ
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์ด ๋ ˆ์‹œํ”ผ ๋ณด๊ณ  ์˜ค๋Š˜ ๋”ฐ๋ผํ•ด๋ดค๋Š”๋ฐ ๋ฏธ์ณค๋‹ค ๋‚˜ 86๋…„ ์ „ํ†ต์˜ ๋ฐ€ํฌํ‹ฐ ์žฅ์ธ๋œ ์ค„ ์•Œ์•˜์–ด ์—์–ดํ”„๋ผ์ด์–ด๋งŒ ์žˆ๋‹ค๋ฉด ์–ด๋ ต์ง€ ์•Š์œผ๋‹ˆ ๋‹ค๋“ค ๋”ฐ๋ผํ•ด๋ณด์‹œ๊ธธ ๋Šฆ๊ฐ€์„์˜ ๋ง›์ด์•ผ ๐Ÿ
ๅฆ‚ๆžœไฝ ๆœ‰็ฉบๆฐ”็‚ธ้”… ๏ผŒไธ€ๅฎš่ฆ่ฏ•่ฏ•่ฟ™ๆฏ่‹นๆžœ็ƒคๅฅถ่Œถ๏ผŒๅฅถ้ฆ™ๆต“้ƒ๏ผŒๅ…ฅๅฃไธๆป‘๏ผŒๆต“ๆต“็š„่Œถ้ฆ™ๆททๅˆ็€่‹นๆžœ้ฆ™๏ผŒ็œŸ็š„ๅฅฝๅฅฝๅ–๏ผ
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James Dell Talarico ํƒˆ๋ผ๋ฆฌ์ฝ” ํ•˜์›์˜์› ์š”์ฆ˜ ํ•ซํ•œ๋“ฏ. ๊ธฐ๋…๊ต ๋งˆ์ธ๋“œ์…‹์˜ ๋ฏผ์ฃผ๋‹น ํ…์‚ฌ์Šค ์ƒ์›ํ›„๋ณด. FCC์—์„œ ํ›„๋ณด ์ธํ„ฐ๋ทฐ ์ˆ˜๋ฅผ ๋ฏผ์ฃผ/๊ณตํ™” ๋งž์ถ”๋ผ๋Š” ์ด์œ ๋กœ ๋ž„๋ผ๋ฆฌ์ฝ” ๋ฐฉ์†ก์€ ์•ˆํ•˜๊ณ  ์œ ํŠœ๋ธŒ๋กœ๋งŒ ๊ณต๊ฐœ. youtu.be/oiTJ7Pz_59A?si=pVq0โ€ฆ
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||โ—คใ€€ใ€€ใ€€ใ€€ใ€€ใ€€ใ€€ โ—ฅ|| ใ€€ใ€€3็ง’ใงๆฑบใ‚ใ‚๏ผใ€€ใ€€ ||โ—ฃใ€€ใ€€ใ€€ใ€€ใ€€ใ€€ใ€€ โ—ข|| ๅЇๅ ดใงใ€ๆ€’ๆถ›ใฎ100ๅˆ†ใ‚’็›ฎๆ’ƒใ›ใ‚ˆใ€‚ ็›ฃ็ฃ๏ฝœ ๆŠผไบ•ๅฎˆ ไผ็”ปใƒปๅˆถไฝœ๏ฝœ ใ‚ตใƒณใƒฉใ‚คใ‚บ ๅˆถไฝœๅ”ๅŠ›๏ฝœ Production I.G ่ฃ…็”ฒ้จŽๅ…ตใƒœใƒˆใƒ ใ‚บ ็ฐ่‰ฒใฎ้ญ”ๅฅณ 11.20 ๅ…ฌ้–‹
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