Gender and Social Organization in Eurasian Paleolithic Populations: A New Perspective through the Application of 3D Morphometrics to Female sculptures.
Donosti / Faro
Joined March 2026
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Los niños como agentes liminales en el arte rupestre del Paleolítico Superior
En las profundidades oscuras de las cuevas decoradas del Paleolítico Superior en Europa, evidencias arqueológicas como huellas, marcas manuales y trazados digitales confirman la presencia activa de
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Fotografía de una representación zoomorfa trabajada sobre marfil del entorno de las curvas de Hohle Fels (Alemania). Temática: Oso o León de las cavernas. Técnica: Tallado/esculpido. Contexto cultural: Auriñaciense. Cronología: 35.000-40.000 años. En el verano de 2023 se ha
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Thought to be a Palaeolithic oil lamp, some of our most-read research from last year concluded this stone artefact was likely in fact a 13,000-year-old paint pallet, as it contains Europe's oldest instance of blue mineral pigment! #ThrowbackThursday
🆓 doi.org/10.15184/aqy.2025.10…
ALT Concave piece of sandstone with several cracks on its surface. Three close-up images of the surface highlight small flecks of blue pigment.
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Reconstitution de la statue chryséléphantine d’Athéna Parthénos.
Haute de 11 mètres, elle se dressait dans le Parthénon au Ve siècle avant J.-C.
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Antonio Gómez Cros, The Birth of Venus (c. 1860) Museo Nacional del Prado, Madrid — detail
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Reconstitution depuis abandonnée. Randall White a démontré que la tête de la Vénus avait été sculptée pour elle-même, sans corps
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Four ivory figurines ~15 cm high from the open air Avdeevo site in Russia, dating ~20 000 years BP
Photo and drawings: Jeppe Boel Jepsen
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En el Paleolítico usaban conchas o pelvis de ciervo como recipientes de pintura🎨
Al analizar los restos de colorantes de estas piezas hemos descubierto que mezclaban los pigmentos con arcillas o cuarzos molidos, e incluso podían calentarlos para variar su color.
#PintarAltamira
ALT Conjunto de conchas de lapa de la cueva de Altamira.
ALT Fragmento de pelvis de ciervo de la cueva de Altamira. Fotografía de V. Schulmeister.
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Existen varias damas ibéricas procedentes de diversas necrópolis del sudeste peninsular, pero la Dama de Baza, por su magnífico estado de conservación, es la que mejor permite describir y comprender los detalles de este modelo escultórico.
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A Comprehensive View of the Late Gravettian Site with Shouldered Points at Moravany-Podkovica (Western Slovakia)
link.springer.com/article/10…
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ORNAMENTOS ARCILLA
Descritas 142 cuentas y colgantes manufacturados hace aproximadamente 15.000 años por comunidades natufienses que habitaban el actual territorio de Israel
📰 labrujulaverde.com/2026/03/l…
vía @lbv
#Paleolitico #Arquelogia
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The Birth of Venus, (1888), (details), by Adolf Hirémy-Hirschl (Hungarian, 1860 – 1933)
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Before the Indus cities rose, Mehrgarh was already turning motherhood into clay.
This terracotta figure from present-day Pakistan is small, but its world is huge.
What do you think it meant?
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Anatolian figurines of the Kilia type also know as “Star gazer” dated 4300-2500 BC, Late Chalcolithic period – Early Bronze Age I period. The figurines of the Kilia type were named after the village of Kilia on the peninsula of Gallipoli in Eastern Thrace of Turkey, where the first figurines were found.
Carved from translucent white marble, the figures typically have carefully detailed eyes, noses, and ears. Some figurines have incised triangle emphasizing the pubic area, symbol typically found on figurines representing the great goddess, others have breasts and almost all have arms that resemble wings. The height varies between 5 and 25cm.
#drthehistories
