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Cover design for “The Colophon,” 1938. Silver and black foil stamped on natural-finish blue and white cloth.
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Blood, sweat and tears of joy — We are proud to be involved in another project of the prestigious Dutch Type Library. nitter.gq/ExquisiteFonts/status/…
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“The Tobacco Machine,” 1919. WAD’s woodcut portrait of his lifelong friend Ralph Morris. Inscription reads “An insult from WAD to RWM.”
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Wow!!! The #Unicode10 Core Specification (PDF) was simultaneously released with the UCD, Code Charts & Annexes → bit.ly/Unicode10
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Work in progress: 3D visualization of 3-axis #variablefonts (@djrrb’s Gimlet)
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Page from WAD’s article “Counterbalanced Marionettes” in “Puppetry 1935.” Aware of tiniest details of engineering, appearance, construction.
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Drawing for g glyph, 1942, for the Experimental 267D type under development as Linotype’s answer to Times New Roman.
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NEW RELEASE: Styrene, @bertonhasebe's latest exploration of proportion and simplicity in type design. commercialtype.com/catalog/s…
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Farao II. released. The highly visible and proven typeface gets new spark and functionality. stormtype.com/
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Types from 19th Century #Mkhedruli & #Mtavruli Letters with clear differences.
#SupportMtavruli @Unicode
@Evertype @srl295 @TiroTypeworks – at Georgia
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New on the Blog: One of the earliest forms of sans serif type was designed for the blind fontsinuse.com/uses/14375/ha…
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For those who cannot visit the @typemedia exhibition, I posted some photos flic.kr/s/aHskDuCqBu
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Congratulations to the new Masters @typemedia. Looking forward to your bright future! – at The Hague, The Netherlands
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Good design is not cheap. Cheap design is no goo. Get the poster here: spiekerstuff.com/ – at Berlin, Germany
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New poster from @galeriep98a – at Walnut Creek, CA
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NEW RELEASE! Action Condensed by @letterror, an expressive typeface for interaction design. commercialtype.com/catalog/a… nitter.gq/commercialtype/status/…

































