Was my (@ToTheHappyNone) alt, now it's my main account. Subscribe to The Hobbyhorse: https://nitter.gq/t.co/2CmZv8lJtG
Purgatory
Joined March 2023
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Adam's Moody Account retweeted
Very happy to finally present the first Catalyst and Witness 2026 festival dispatch for the 64th New York Film Festival, featuring a panel of @alexL_E_I, @DougMarkowitz, Keith Uhlich, @MarkAschParody, @Frank__Yan, and special appearance @edogoesboating! podcasts.apple.com/us/podcas…
Adam's Moody Account retweeted
Since we’ve been talking about this for a couple of days now, a personal collection of important critical voices that have been a part of my life for many, many years
Adam's Moody Account retweeted
For Long Library I wrote briefly about three recent horror shorts that I'd strongly recommend (with links to watch all three), including one that has - to my knowledge - never screened outside of festivals, and is available only through Halloween. 🔗 below
Adam's Moody Account retweeted
For my 2nd piece of Taipei Mansions NYFF 2026 coverage, I wrote about three astonishing relationship comedies: Nicolás Pereda's EVERYTHING ELSE IS NOISE, Dan Sallitt's WHAT CAN'T BE MENTIONED, and Nathan Fielder & Lance Oppenheim's YOU CAN SEE EVERYTHING. taipeimansions.com/2026/10/1…
Adam's Moody Account retweeted
Folks, I wrote about six horror films I'd recommend to anyone looking for something to watch this month, including a found footage favorite of mine, an underrated late Hammer, and a BBC folk horror masterpiece. Link in bio and below
ALT newsletter title page: Six Horror Films For October, from Long Library. The background is an image from Demons of the Mind (1972), featuring an exposed bell tower against an evening sky
Adam's Moody Account retweeted
I wrote a little about Onslaught, which I enjoyed, but which resorts to pastiche and imitation to a degree I find worryingly emblematic. Link in bio and below
ALT newsletter title page: Onslaught Illustrates The Gravitational Pull of Pastiche, by Peter Raleigh. Includes a screenshot from Onslaught (2026) showing three fog-shrouded figures carrying weapons
Adam's Moody Account retweeted
Had the great pleasure of reviewing Kurosawa Kiyoshi's THE SAMURAI AND THE PRISONER, one of the most stunning films of the year and an unlikely culmination of its master filmmaker's aesthetic and genre interests, for @reverse_shot: reverseshot.org/reviews/entr…
Adam's Moody Account retweeted
Some words by me on the Godzilla series.
mubi.com/en/program-notes/ra…
Adam's Moody Account retweeted
The people angry about "woke 1 was crazy" are being very disingenuous. The appropriation of the older radical tradition of "stay woke" and its transformation into the worst liberal identity politics/ micro-aggression surveillance discourse was in fact crazy! Good riddance.
Adam's Moody Account retweeted
We are excited to announce Fracture, a new annual magazine of emancipatory politics: fracturemagazine.com/issues/…
Adam's Moody Account retweeted
I interviewed Kiyoshi Kurosawa about his very strong The Samurai and the Prisoner, formal philosophies of jidaigeki, and the film's black-and-white edition: thefilmstage.com/out-of-time…
Adam's Moody Account retweeted
For Long Library, I wrote about Backrooms, which I thought was mostly a failure, and about how it compares to two other works - Silent Hill and Channel Zero - which suggest where it might have gone wrong. 🔗 below
Adam's Moody Account retweeted
wrote about the greatest Philip K. Dick adaptation of all time avclub.com/a-scanner-darkly-…
Adam's Moody Account retweeted
For Cosmonaut Magazine, I reviewed "Abundance" by Ezra Klein and Derek Thompson, "The Technological Republic" by Alex C. Karp and Nicholas W. Zamiska, and "If Anyone Builds It, Everyone Dies" by Eliezer Yudkowsky and Nate Soares
cosmonautmag.com/2026/07/a-t…
