To the general audience there are no popular GLs. If anything Jon is more popular to the general audience due to JLU.
Gunn himself said that audiences could handle 2 Batmans and greenlit a project that made no progress in 4 years. If he just said it was because of Reeves, people could accept that.
Chill, the district he ran in is so far right that they constantly talk about seceding from Colorado and joining Wyoming.
“There was literally no reason”
I’d count winning as a reason tbh
Maybe not registered Republicans, but this election was absolutely about Democrats convincing right leaning independents to vote for them.
This clip will be a real headache in 2028…
For Republicans who try to paint him as some radical leftist.
The anti cancel culture people everyone…
#AntiPatriot alert from the big house. This terrorist boo’d the army & the navy and flipped off the veteran of the game
It kind of is a luxury to hyperfocus on foreign policy rather than stuff happening in your own life.
Those other actors seeing Robert Pattinson in the Bond audition room is like when you played high school sports at a white school and saw that the other team was full of giant black guys.
Holy shit a real film critic used “it insists upon itself” as a criticism 😭😭😭
“La Bola Negra,” a new film by Javier Ambrossi and Javier Calvo, dramatizes gay repression and liberation across three interconnected stories. At first, the year is 1937 and viewers are thrust deep into the Spanish Civil War, where a Nationalist soldier and a wounded Republican freedom fighter exchange furtive glances. By the end, it’s 2017, and a Madrid-based historian need only look to Grindr to satisfy an urge. The movie “wants to be a sweeping historical epic of gay longing—a film about what it means to be a man who desires other men in times of war and peace,” Justin Chang writes. Instead, the directors have produced “a film that insists, arrogantly and aggressively, on its own monumentality”. Even compelling performances from Glenn Close, Penélope Cruz, and Lola Dueñas fail to rescue the extravagantly overwrought film. Read Chang's full review: newyorker.com/culture/the-cu…
